Skip to content
TRACEKEEPERS
Menu
← Back to the collection

Isin-Larsa · Paleo-Babylonian environment

Queen of the Night

The Queen of the Night: a disputed identity

The wings and horns are visible; the name of the figure is not certain.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC0

Documentary original · Exact correspondence

Photograph of the original: Burney relief or Queen of the Night. Complete relief, winged figure, two owls and two lions visible. Showcase lighting, visible supports.

BabelStone · British Museum, London · Inventory: 2003,0718.1 · CC0

Photograph of the original: Burney relief or Queen of the Night. Complete relief, winged figure, two owls and two lions visible. Showcase lighting, visible supports.
PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC0

Documentary original · Exact correspondence

Photograph of the original: Burney relief or Queen of the Night. Complete relief, winged figure, two owls and two lions visible. Showcase lighting, visible supports.

BabelStone · British Museum, London · Inventory: 2003,0718.1 · CC0

History and context

A figure with wings, claws and a crown of horns stands above two lions, between owls. The remains of color remind us that it did not always have the earthy appearance we see today. The piece allows us to recognize divine attributes without automatically resolving who they represent.

Queen of the Night is a modern name. Names such as Ishtar or Ereshkigal have been proposed, but neither should be presented as a secure reading of an inscription: the piece offers no such identification. We also do not know precisely where it was excavated.

Evidence and interpretation

The iconographic attribution remains disputed. Do not identify the relief categorically with Lilith or assign it a secure archaeological provenance in Ur.

Catalogue facts

Date of piece
19th–18th centuries BCE
Culture and period
Isin-Larsa · Paleo-Babylonian environment
Provenance
Southern Iraq; exact provenance not documented
Material
fired clay; pigment remains
Inventory
2003,0718.1

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Clay32 dated objects

17 / 32In the centre: Queen of the Night

Also connected, without a comparable date (8)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

When the laboratory changes a color

Analysis identified red ocher on the body and carbon pigment on the dark background. The latter had previously been interpreted as bitumen: observing a color is not enough to know its composition. The whitish areas pose another difficulty. The museum considers that part of the plaster could correspond to paint, but also to salt deposits from subsoil water. Reconstructing the ancient appearance requires separating the pigment applied by the craftsman from the subsequent transformations of the relief.

Where it is held

British Museum, London

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The British Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

Did you enjoy this exhibit?

Your opinion helps us improve the museum. You can change it whenever you like.

Loading your rating…