Skip to content
TRACEKEEPERS
Menu
← Back to the collection

03 · ROCK ART · MALOTI-DRAKENSBERG

Game Pass Shelter

The eland in the Game Pass panel

San accounts help interpret the figures, but do not allow us to know with certainty what each scene means.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.

Specific historical recreation of El eland and an image without subtitles, Game Pass Shelter · South Africa, Regional rock art chronology · panel not dated in isolation
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.

History and context

The celebrated panel includes eland and human figures in a complex composition from the Drakensberg.

Historical San accounts and practices have informed readings of transformation and healing, but they do not function as a literal caption for each ancient figure.

The panel became celebrated due to the proposed relationship between eland, bodily posture and transformation. That reading combines iconographic observation with historical testimonies from specific communities.

Ethnographic analogy is a comparative tool, not an automatic dictionary. The date, author and meaning of each figure must remain differentiated.

Evidence and interpretation

Painting and landscape are documented; the ritual reading depends on graduated historical analogies. Documented expansion: Painting and landscape are documented. Expanded interpretation and caution: The ritual reading depends on graduated historical analogies.

Catalogue facts

Narrative date
Regional rock art chronology · panel not dated in isolation
Location
Game Pass Shelter · South Africa
Material
Pigment on rock
Context
Rock art and cautious analogy
Curatorial reading
The documented fact and its interpretation appear separately in the evidence block.
Protection
Rock art site in Maloti-Drakensberg
Method
Iconography and graduated historical analogy
Documentary coverage
3 museum, heritage, primary corpus or research sources for this stop.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Pigments14 dated objects

1 / 14In the centre: Engraved ochre from Blombos

Also connected, without a comparable date (8)

These objects are not placed after the others: an unknown date does not mean a more recent object.

  • BhimbetkaPrehistory · Mesolithic–historical and medieval period
  • Blue that does not yieldMaya worlds · Documented use from the Classic, c. 300–1500 CE
  • Eland CavePrehistory · Regional tradition of ≈4,000 years · up to historical period
  • KakaduPrehistory · Regional corpus ≈20,000 BP–contemporary era
  • Leang KarampuangPrehistory · Minimum 51,200 years · dating published in 2024
  • Quinkan CountryPrehistory · Regional art up to ≈27,000 BP · modern continuity
  • Sierra de San FranciscoPrehistory · Broad tradition with direct dates ≈5290–295 BP
  • Tassili n’AjjerPrehistory · Corpus ≈6000 BCE–first centuries CE

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

A painting in a place people visited

The University of Witwatersrand documents that Game Pass receives pilgrimages from Zulu healers and Khoesan descendants. In its description, entering barefoot expresses respect for the shelter. Some days access is reserved for private local ceremonies, while public visits provide employment to the Thendela community. These current uses add a concrete history to the contemplation of the panel: conserving it also involves organising encounters, work and moments of intimacy. The file allows one to view the painting as part of a space to which different people continue to attribute obligations.

Sources and references

Expand this information and consult its sources

Did you enjoy this exhibit?

Your opinion helps us improve the museum. You can change it whenever you like.

Loading your rating…