EUROPE · CANTABRIA

Altamira

The bison of Altamira

Look at the backs and bellies of the bison: their painters used the rock's shapes to give them volume.

Museum documentation · free public access, no account required.

Historical photograph of a polychrome bison on the rock of the original Altamira cave, taken in 1962. — **PHOTOGRAPH OF THE ORIGINAL · Daniel VILLAFRUELA · 1962 · CC BY-SA 3.0**
Documentary original · Exact correspondence
Photograph of the original cave taken on 7 October 1962. Slide scanned and restored by the author; the file published in 2012 is used, converted to lossless WebP, without cropping or further retouching. It is not the Neocave nor a tracing.
Daniel VILLAFRUELA · Cave of Altamira · Inventory: Cueva de Altamira-19621007-002 · versión publicada en 2012 · CC BY-SA 3.0
Source and provenance ↗Terms of use ↗

History and context

Whoever painted the bison of Altamira read the stone first. The backs, bellies and hindquarters exploit natural reliefs of the ceiling; charcoal, ochre and engraving finish turning the cave into a herd suspended above those who entered.

In 1879, the gaze of a girl, María Sanz de Sautuola, helped draw attention to the animals on the ceiling. The scientific community took decades to accept that such a sophisticated image could be Palaeolithic. Altamira not only changed art history: it forced a revision of a prejudice about the intelligence of those who lived before cities.

Evidence and interpretation

The cave preserves distinct artistic phases. A red sign reaches around 35,600 years, but that date cannot be transferred to all the bison; several polychromes have approximate direct dates of 18,400–15,300 cal BP. The image shown is a photograph of the original cave taken in 1962: a scanned and restored slide by its author, not a photograph of the Neocave nor a tracing.

Catalogue facts

Date: Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP
Location: Cave of Altamira · Santillana del Mar, Spain
Technique: Charcoal, ochres, engraving and natural rock modelling
Subject: Bison, horses, deer and signs
Image: 1962 photograph · digitised and restored slide
Reading: Several phases; there is no single "date of Altamira"

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

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Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP

Altamira

Prehistory

Assemblage range ≈36,000–13,000 BP, converted with 1950 origin; not a single date for the bison. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.

Current record

Pigments14 dated objects

5 / 14In the centre: Altamira

Also connected, without a comparable date (9)

These objects are not placed after the others: an unknown date does not mean a more recent object.

BhimbetkaPrehistory · Mesolithic–historical and medieval period
Blue that does not yieldMaya worlds · Documented use from the Classic, c. 300–1500 CE
Eland CavePrehistory · Regional tradition of ≈4,000 years · up to historical period
Game Pass ShelterSan histories · Regional rock art chronology · panel not dated in isolation
KakaduPrehistory · Regional corpus ≈20,000 BP–contemporary era
Leang KarampuangPrehistory · Minimum 51,200 years · dating published in 2024
Quinkan CountryPrehistory · Regional art up to ≈27,000 BP · modern continuity
Sierra de San FranciscoPrehistory · Broad tradition with direct dates ≈5290–295 BP
Tassili n’AjjerPrehistory · Corpus ≈6000 BCE–first centuries CE

You can scroll the first group without JavaScript. The other topics are also available below.

Rock art

Altamira · Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP · Prehistory — You are viewing
Lascaux · ≈23,500–21,000 cal BP · debated contextual estimate · Prehistory
Cueva de las Manos · Sequence ≈9300–1300 BP · Prehistory

Without a comparable date (not part of the chronological order):

Bhimbetka · Mesolithic–historical and medieval period · Prehistory
Eland Cave · Regional tradition of ≈4,000 years · up to historical period · Prehistory
Engraved stone · Before ≈39,000 cal BP · Prehistory
Game Pass Shelter · Regional rock art chronology · panel not dated in isolation · San histories
Kakadu · Regional corpus ≈20,000 BP–contemporary era · Prehistory
Leang Karampuang · Minimum 51,200 years · dating published in 2024 · Prehistory
Quinkan Country · Regional art up to ≈27,000 BP · modern continuity · Prehistory
Sierra de San Francisco · Broad tradition with direct dates ≈5290–295 BP · Prehistory
Tassili n’Ajjer · Corpus ≈6000 BCE–first centuries CE · Prehistory

Painting

Without a comparable date (not part of the chronological order):

A vase travels; the rite changes · No individual dating published on this record · Iberians
Bhimbetka · Mesolithic–historical and medieval period · Prehistory
Blue that does not yield · Documented use from the Classic, c. 300–1500 CE · Maya worlds
Eland Cave · Regional tradition of ≈4,000 years · up to historical period · Prehistory
Game Pass Shelter · Regional rock art chronology · panel not dated in isolation · San histories
Kakadu · Regional corpus ≈20,000 BP–contemporary era · Prehistory
Leang Karampuang · Minimum 51,200 years · dating published in 2024 · Prehistory
Quinkan Country · Regional art up to ≈27,000 BP · modern continuity · Prehistory
Sierra de San Francisco · Broad tradition with direct dates ≈5290–295 BP · Prehistory
Tassili n’Ajjer · Corpus ≈6000 BCE–first centuries CE · Prehistory

Engraving

Engraved ochre from Blombos · ≈77,000–75,000 years · Prehistory
Altamira · Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP · Prehistory — You are viewing
Lascaux · ≈23,500–21,000 cal BP · debated contextual estimate · Prehistory
Rondelle de Mas-d'Azil · ≈18,000–16,000 years · Prehistory
Lamp from La Mouthe · ≈20,500–13,000 years · Magdalenian framework · Prehistory
Engraved stone from Çakmaktepe · PPNA · site proposal: ≈9600–8800 BCE, provisional · Prehistory
Twin-chambered vessel from Cova de l’Or · Early Neolithic · VI–V millennia BCE · Prehistory
Before Nubia · V–IV millennium BCE · Nubia, Kerma and Kush
Before Gojoseon · Middle Neolithic, c. 4000 BCE · Gojoseon and early Korea
Cylinder seal · c. 3500–3100 BCE · Sumer
Guadancil idol-plaque · 3750–2500 cal BCE · Iberians
Staff of Anta 4 · Late 4th–first half of the 3rd millennium BCE. · Prehistory
Linear A · c. 1700–1500 BCE · Greek worlds
The Cascajal Block · Proposed c. 1000–900 BCE · Maya worlds
Las Limas · c. 1000–600 BCE · Maya worlds
Motagua jade · c. 900–600 BCE · Maya worlds
The Tello Obelisk · c. 800–500 BCE · Pre-Inca cultures
Twenty-six voiceless signs · 5th–4th centuries BCE · Scythians and Saka
The Raimondi Stele · c. 400–200 BCE according to MNAAHP · Pre-Inca cultures
Dove of the Amarejo · 3rd century BCE · Iberians
Urewe vessel · regional range c. 800 BCE–650 CE · Bantu-speaking worlds
Lukasa · 19th–20th centuries · Bantu-speaking worlds

Without a comparable date (not part of the chronological order):

A tradition that invents · collected in 1993 or 1995 · Batwa / Twa histories
Engraved stone · Before ≈39,000 cal BP · Prehistory
Ishango, without genealogical shortcut · More than 20,000 years; context ca. 25,000–20,000 BP · Batwa / Twa histories
Vessels without a language · Urewe, broad regional range ca. 800 BCE–650 CE · Bantu-speaking worlds
Writing with gaps · Diverse chronologies · Garamantes

Animal imagery

Lion-man · ≈40,000 years · Aurignacian · Prehistory
Before the San · ≈25.500–23.500 BCE · San histories
Before the name San · ≈25.500–23.500 BCE · San histories
Altamira · Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP · Prehistory — You are viewing
Lascaux · ≈23,500–21,000 cal BP · debated contextual estimate · Prehistory
Zaraysk Bison · ≈23,000–21,000 years · Prehistory
Rondelle de Mas-d'Azil · ≈18,000–16,000 years · Prehistory
Lamp from La Mouthe · ≈20,500–13,000 years · Magdalenian framework · Prehistory
Engraved stone from Çakmaktepe · PPNA · site proposal: ≈9600–8800 BCE, provisional · Prehistory
Cueva de las Manos · Sequence ≈9300–1300 BP · Prehistory
Cylinder seal · c. 3500–3100 BCE · Sumer
Queen's Lyre · ca. 2600–2500 BCE · Sumer
The goat from PG 1237 · ca. 2600–2400 BCE · Sumer
Indus seals · ca. 2600–1900 BCE · Indus civilisation
Queen of the Night · 19th–18th centuries BCE · Sumer
Bull-leaping · c. 1600–1450 BCE · Greek worlds
Stag Vessel · 14th–13th centuries BCE · Hittites
Before the Scythians and Sakas · Final Bronze–Initial Iron, ca. 1200–600 BCE · Scythians and Saka
Ivory in Nimrud · 9th–8th centuries BCE · Phoenicians
Lamassu of Khorsabad · Reign of Sargon II · 721–705 BCE · Sumer
The Tello Obelisk · c. 800–500 BCE · Pre-Inca cultures
Ashurbanipal Hunt · 645–635 BCE · Sumer
Banquet under leopards · Around 480–470 BCE · Etruscans and Rome
The oldest knotted carpet · 5th–4th centuries BCE · Scythians and Saka
The silver amphora of Chertomlyk · 4th century BCE · Greek worlds
Thoth in the form of a baboon · 664–30 BCE · Ancient Egypt
Poroina Mare Rhyton · Second half of the 4th century BCE · Thracians
Borovo · 4th century BC C.; 350–300 BCE in the ISAW catalog. · Thracians
Leipzig Fish Plate · Last third 4th–early 3rd century BCE · Greek worlds
Dove of the Amarejo · 3rd century BCE · Iberians
Chão de Lamas pectoral · 3rd–2nd centuries BCE · concealed in the early 1st century BCE · Iberians
Fibula from Lancia · ≈300–100 BCE · Iberians
Horse fibula · 2nd century BCE · disputed chronology · Iberians
The dismantled cauldron · 2nd–1st centuries BCE · Celtic worlds
Kalathos of Alcorisa · 2nd–1st centuries BCE · Iberians
Egyptian oil lamp with a fish, held in Laon · 3rd–4th centuries CE · Ancient Egypt
Laon lamp with fish · 3rd–4th centuries CE · Etruscans and Rome
Gold rhinoceros · ca. 1220–1290; found in 1933 · Bantu-speaking worlds
Zimbabwe birds · main period of Great Zimbabwe, c. 12th–15th centuries · Bantu-speaking worlds

Without a comparable date (not part of the chronological order):

Bhimbetka · Mesolithic–historical and medieval period · Prehistory
Eland Cave · Regional tradition of ≈4,000 years · up to historical period · Prehistory
Fawn spear-thrower · Middle Magdalenian · Prehistory
Game Pass Shelter · Regional rock art chronology · panel not dated in isolation · San histories
Kakadu · Regional corpus ≈20,000 BP–contemporary era · Prehistory
Leang Karampuang · Minimum 51,200 years · dating published in 2024 · Prehistory
Sierra de San Francisco · Broad tradition with direct dates ≈5290–295 BP · Prehistory
Tassili n’Ajjer · Corpus ≈6000 BCE–first centuries CE · Prehistory
The Thracian Horseman · Roman era · diffusion especially in the 2nd–3rd centuries CE · Thracians
Trumpet from Numantia · No individual dating published on this record · Iberians

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: September 5, 2026.

Two clocks for a prolonged history

Dating charcoal from a figure and dating the calcite situated above it do not answer exactly the same question. The first procedure approximates the age of the painted material; the second establishes a terminus ante quem for an image that already existed when the crust grew. A 2026 study compares both methods at Altamira and recalls the problems that uranium loss can cause. The result reinforces the existence of different pictorial episodes: the famous ceiling should not receive a single date for all its marks.

Research · Quaternary Science Reviews · Rock Art uranium-thorium and radiocarbon cross-dating at Altamira, 2026Access recorded: September 5, 2026.

Location and territory

LOCATED SITE

Cave of Altamira · SpainCave marker; public visits are managed with strict conservation criteria.

Sources and references

Explore Altamira at its official museum

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Altamira

History and context

Evidence and interpretation

Catalogue facts

Objects connected through time

Altamira

Engraved ochre from Blombos

Willendorf

Before the San

Before the name San

Altamira

Lascaux

Kostenki I

Cueva de las Manos

Queen of the Night

Ceramic stand 1010

Banquet under leopards

The Karwa textile

The walls of San Bartolo

Venus in the codex

A closer look

Two clocks for a prolonged history

Location and territory

Sources and references

Did you enjoy this exhibit?