ASIA · CENTRAL INDIA
Bhimbetka
Paintings from different periods in the same shelter
Some figures are painted over others: different generations used the same walls.
Museum documentation · free public access, no account required.
Documentary original · Exact correspondence
Documentary photograph of the original or the site indicated in the record.
CC BY-SA 4.0
History and context
At Bhimbetka, animals, hunts, dances, processions and combats appear in reds and whites. One figure may cross another much older one: painting did not necessarily erase the past, but added a new voice to the same place.
Some shelters preserve up to fifteen pictorial layers. That accumulation is the true marvel: the landscape was not decorated once, but visited and reinterpreted during very different cultural periods, from Mesolithic communities to historical and medieval times.
Evidence and interpretation
The paintings lack direct AMS dating. Their chronology is built through superimpositions, styles, subjects, patinas, pigments found in excavation, and archaeological associations. The site's much older occupations do not prove that all the images share the same age.
Catalogue facts
- Date
- Mesolithic–historical and medieval period
- Location
- Bhimbetka · Madhya Pradesh, India
- Pigments
- Predominance of red and white haematite
- Subject
- Fauna, hunting, dance, processions and conflict
- Superimposition
- Up to fifteen layers recorded in some shelters
- Caution
- No direct radiocarbon dating of the paintings
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
THE CURRENT OBJECT
Its date is not sufficiently established to place it on the timeline. We keep it here, separate from the dated objects.
Mesolithic–historical and medieval period
Bhimbetka
Prehistory
Broad, overlapping cultural periods, no direct date for the paintings.
Current recordPigments14 dated objects

≈77,000–75,000 years
Engraved ochre from Blombos
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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≈29,500 years
Willendorf
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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≈25.500–23.500 BCE
Before the San
San histories
Date of the representative element, not ethnic attribution of its authors.
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≈25.500–23.500 BCE
Before the name San
San histories
Dating of the context of the slabs; anonymous authors.
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Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP
Altamira
Prehistory
Assemblage range ≈36,000–13,000 BP, converted with 1950 origin; not a single date for the bison. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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≈23,500–21,000 cal BP · debated contextual estimate
Lascaux
Prehistory
≈23,500–21,000 cal BP with 1950 origin; debated contextual estimate, replica image. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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≈23,000–21,000 years
Kostenki I
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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Sequence ≈9300–1300 BP
Cueva de las Manos
Prehistory
Sequence ≈9300–1300 BP converted with 1950 origin; not a single date for all images. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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19th–18th centuries BCE
Queen of the Night
Sumer
Approximate dating according to the record.
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8th–7th centuries BCE · orientalizing
Ceramic stand 1010
Iberians
Chronology of the funerary context of Tomb 5, Orientalising horizon.
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Around 480–470 BCE
Banquet under leopards
Etruscans and Rome
Approximate dating according to the record.
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4th–3rd centuries BCE
The Karwa textile
Pre-Inca cultures
Approximate dating according to the record.
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c. 100 BCE
The walls of San Bartolo
Maya worlds
Approximate dating according to the record.
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Preserved manuscript: Postclassic, probably 13th–14th centuries; earlier knowledge
Venus in the codex
Maya worlds
Probable date of the preserved manuscript, not of the origin of its knowledge.
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Also connected, without a comparable date (8)
These objects are not placed after the others: an unknown date does not mean a more recent object.
- Blue that does not yieldMaya worlds · Documented use from the Classic, c. 300–1500 CE
- Eland CavePrehistory · Regional tradition of ≈4,000 years · up to historical period
- Game Pass ShelterSan histories · Regional rock art chronology · panel not dated in isolation
- KakaduPrehistory · Regional corpus ≈20,000 BP–contemporary era
- Leang KarampuangPrehistory · Minimum 51,200 years · dating published in 2024
- Quinkan CountryPrehistory · Regional art up to ≈27,000 BP · modern continuity
- Sierra de San FranciscoPrehistory · Broad tradition with direct dates ≈5290–295 BP
- Tassili n’AjjerPrehistory · Corpus ≈6000 BCE–first centuries CE
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A distributed ensemble, not a single cave
Bhimbetka consists of five groupings of shelters among large sandstone outcrops. This dispersion allows the study of how spaces were chosen and a landscape traversed, as well as the comparison of figures. UNESCO links its expressions to a hunting and gathering economy and to traditions of nearby Adivasi villages. The resemblance does not turn their present inhabitants into static Mesolithic characters: it is a pathway for investigating relationships and transformations. A photograph represents a sector of an ensemble whose history also depends on the spaces between the panels.
- Heritage · UNESCO · Rock Shelters of BhimbetkaAccess recorded: .
Location and territory
LOCATED SITE
Bhimbetka Rock Shelters · IndiaMarker for the World Heritage rock shelter ensemble.Sources and references
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