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OCEANIA · BININJ/MUNGGUY COUNTRY

Kakadu

Animals painted inside and out

Some paintings show the skeleton and organs of animals, in addition to their silhouette.

Museum documentation · free public access, no account required.

DOCUMENTARY PHOTOGRAPH OF THE ORIGINAL · PROVENANCE VERIFIED IN RECORD

Documentary original · Exact correspondence

Documentary photograph of the original or the site indicated in the record.

CC BY-SA 3.0

Fish with visible anatomy painted in a Kakadu rock gallery
DOCUMENTARY PHOTOGRAPH OF THE ORIGINAL · PROVENANCE VERIFIED IN RECORD

Documentary original · Exact correspondence

Documentary photograph of the original or the site indicated in the record.

CC BY-SA 3.0

History and context

Fish and other animals show spines, organs and internal structures. The so-called X-ray style is not an anticipated modern X-ray, but a distinctive way of representing bodies known intimately through fishing, food preparation and relationship with Country.

Kakadu is not the silent remnant of a vanished culture. It is a living landscape cared for by its Bininj/Mungguy Traditional Owners. Thousands of galleries link a long visual history with communities that continue to interpret and protect those places.

Evidence and interpretation

The regional corpus spans approximately 20,000 BP to the contemporary era, but the fish panel has no individual date. The cultural authority and restrictions of the Traditional Owners must accompany any use of these images, in addition to the photographic licence.

Catalogue facts

Date
Regional corpus ≈20,000 BP–contemporary era
Location
Kakadu National Park · Northern Territory, Australia
Material
Mineral pigments on rock
Custodianship
Bininj/Mungguy Traditional Owners
Subject
Fish in X-ray style
Record
≈5,000 registered galleries; many more estimated
Caution
The specific panel has no individual date

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

THE CURRENT OBJECT

Its date is not sufficiently established to place it on the timeline. We keep it here, separate from the dated objects.

Pigments14 dated objects

1 / 14In the centre: Engraved ochre from Blombos

Also connected, without a comparable date (8)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

The walls also recorded recent encounters

At Ubirr, the park distinguishes X-ray paintings from contact images: a figure wearing a shirt, boots and hands in pockets is interpreted as a buffalo hunter from around the 1880s. That painting is not the specific panel reproduced here, but a comparison within the same cultural landscape. Its presence undoes the idea of an art confined to a remote past. The walls continued to serve to observe changes, depict food and respond to people arriving from other worlds.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

REGIONAL AREA

Kakadu · AustraliaThe art belongs to numerous places under Bininj/Mungguy custodianship; the footprint is regional.

Sources and references

Learn about rock art with Parks Australia

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