AFRICA · MALOTI-DRAKENSBERG
Eland Cave
The eland in San paintings
This large antelope held importance in the diet and beliefs of San communities.
Museum documentation · free public access, no account required.
Documentary original · Exact correspondence
Documentary photograph of the original or the site indicated in the record.
CC BY-SA 4.0
History and context
In the Drakensberg shelters, elands appear with delicate bodies and human figures of the finest line. Ethnographic observation and San traditions have allowed some scenes to be linked with healing, trance and transformation, without reducing each image to a single translation.
The park preserves some 690 sites and over 35,000 images. Here the astonishing effect lies not only in the quantity: a pictorial tradition of millennia maintained a visual grammar capable of speaking of animals, social relationships and a spiritual world inseparable from the landscape.
Evidence and interpretation
The regional tradition developed over some 4,000 years and reached the historical period. The Eland Cave panel has no direct dating; ritual readings rely on historical and ethnographic research, but do not turn every figure into a trance scene.
Catalogue facts
- Date
- Regional tradition of ≈4,000 years · up to historical period
- Location
- Eland Cave · Maloti-Drakensberg, South Africa
- Material
- Pigments on rock shelters
- Tradition
- San fine-line painting
- Subject
- Elands and human figures
- Scale
- ≈690 sites · over 35,000 images
- Caution
- The specific panel is not directly dated
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
THE CURRENT OBJECT
Its date is not sufficiently established to place it on the timeline. We keep it here, separate from the dated objects.
Regional tradition of ≈4,000 years · up to historical period
Eland Cave
Prehistory
The specific panel has no direct dating; the regional tradition does not date it.
Current recordPigments14 dated objects

≈77,000–75,000 years
Engraved ochre from Blombos
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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≈29,500 years
Willendorf
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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≈25.500–23.500 BCE
Before the San
San histories
Date of the representative element, not ethnic attribution of its authors.
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≈25.500–23.500 BCE
Before the name San
San histories
Dating of the context of the slabs; anonymous authors.
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Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP
Altamira
Prehistory
Assemblage range ≈36,000–13,000 BP, converted with 1950 origin; not a single date for the bison. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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≈23,500–21,000 cal BP · debated contextual estimate
Lascaux
Prehistory
≈23,500–21,000 cal BP with 1950 origin; debated contextual estimate, replica image. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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≈23,000–21,000 years
Kostenki I
Prehistory
Approximate catalogue age; editorial reference 2026 for ordering only, not calibrated dating.
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Sequence ≈9300–1300 BP
Cueva de las Manos
Prehistory
Sequence ≈9300–1300 BP converted with 1950 origin; not a single date for all images. It is an approximate scale conversion for ordering; not a new radiocarbon calibration.
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19th–18th centuries BCE
Queen of the Night
Sumer
Approximate dating according to the record.
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8th–7th centuries BCE · orientalizing
Ceramic stand 1010
Iberians
Chronology of the funerary context of Tomb 5, Orientalising horizon.
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Around 480–470 BCE
Banquet under leopards
Etruscans and Rome
Approximate dating according to the record.
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4th–3rd centuries BCE
The Karwa textile
Pre-Inca cultures
Approximate dating according to the record.
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c. 100 BCE
The walls of San Bartolo
Maya worlds
Approximate dating according to the record.
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Preserved manuscript: Postclassic, probably 13th–14th centuries; earlier knowledge
Venus in the codex
Maya worlds
Probable date of the preserved manuscript, not of the origin of its knowledge.
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Also connected, without a comparable date (8)
These objects are not placed after the others: an unknown date does not mean a more recent object.
- BhimbetkaPrehistory · Mesolithic–historical and medieval period
- Blue that does not yieldMaya worlds · Documented use from the Classic, c. 300–1500 CE
- Game Pass ShelterSan histories · Regional rock art chronology · panel not dated in isolation
- KakaduPrehistory · Regional corpus ≈20,000 BP–contemporary era
- Leang KarampuangPrehistory · Minimum 51,200 years · dating published in 2024
- Quinkan CountryPrehistory · Regional art up to ≈27,000 BP · modern continuity
- Sierra de San FranciscoPrehistory · Broad tradition with direct dates ≈5290–295 BP
- Tassili n’AjjerPrehistory · Corpus ≈6000 BCE–first centuries CE
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
The eland does not always appear in profile
The Rock Art Research Institute archive highlights the variety of eland positions: running, raising the head, seen from the front, from behind, or from above. The repertoire reveals an observation that an isolated silhouette cannot convey. Its documentation also links this antelope to San community healing, initiation and marriage practices. That information provides comparative context, not a universal translation of every painting: the animal's position, nearby figures and the panel's location must be studied together before proposing a specific scene.
Location and territory
REGIONAL AREA
Maloti-Drakensberg · Southern AfricaThe marker locates the regional landscape of San rock shelters, not a border or a single panel.Sources and references
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