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Neo-Assyria

Stele of Esarhaddon

Esarhaddon presents his victory over Egypt

The size of the figures makes it clear who controls the story.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · Staatliche Museen zu Berlin, Vorderasiatisches Museum · CC BY-SA 4.0

Documentary original · Exact correspondence

Frontal photograph of the original stele from Asarhaddon, VA 02708.

Dosseman · Staatliche Museen zu Berlin, Vorderasiatisches Museum · Inventory: VA 02708 · CC BY-SA 4.0

Frontal photograph of the original stele from Asarhaddon, VA 02708.
PHOTOGRAPH OF THE ORIGINAL · Staatliche Museen zu Berlin, Vorderasiatisches Museum · CC BY-SA 4.0

Documentary original · Exact correspondence

Frontal photograph of the original stele from Asarhaddon, VA 02708.

Dosseman · Staatliche Museen zu Berlin, Vorderasiatisches Museum · Inventory: VA 02708 · CC BY-SA 4.0

History and context

The king dominates the stele while the captives appear much smaller. The monument celebrates a campaign by Asarhaddon on Egypt and presents military success in the visual language of the Assyrian court.

Its discovery in Sam'al, far from Egypt and the capitals of Assyria, shows how a victory could be announced in other regions. But the monument does not demonstrate uninterrupted dominion over all that the king claimed. Propaganda could be longer lasting than an occupation.

Evidence and interpretation

Neo-Assyrian imperial monument. The individual identification of the captives is disputed; Do not assign them safe names or confuse the size represented with physical stature.

Catalogue facts

Date of piece
7th century BC C. · 671 campaign BCE
Culture and period
Neo-Assyria
Provenance
Sam'al/Zincirli, present-day Türkiye
Material
Basalt
Inventory
VA 02708
In this grouping
Monument of Assyrian domination with captives represented. Its size and layout express political hierarchy; They are not weapons.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

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Basalt4 dated objects

4 / 4In the centre: Stele of Esarhaddon

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

Protect the name of the victor

On the narrow faces appear the king's sons, Ashurbanipal and Shamash-shum-ukin. The inscription extends across the front and back, and ends with a curse against anyone who removes the stele, erases Esarhaddon's name, or substitutes his own. The monument not only announced a conquest: it attempted to preserve the authorship of that memory. His written threat shows that changing a name could be understood as an appropriation of royal prestige.

Where it is held

Vorderasiatisches Museum, Staatliche Museen zu Berlin

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

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