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TRAVELLING OBJECT · INTERCULTURAL BIOGRAPHY

Astarte from El Carambolo

The figure bears a Phoenician dedication and appeared in the sanctuary of El Carambolo.

Museum documentation · free public access, no account required.

Image 1 of 2 · Main image
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

Image 1 of 2 · Main image
Image of Astarte of El Carambolo
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

History and context

El Carambolo · Tartessian context: Appeared in a Tartessian sanctuary; Tartessos is not equivalent to Iberian culture, and the entry is included as an explicit peninsular connection.

The same piece also appears in Phoenician language and tradition. Duplicating the entry does not duplicate authorship: it allows reading manufacture, use, deposit and discovery from both trajectories.

Evidence and interpretation

Phoenician language and tradition [documented]: The inscription dedicates the figure to Astarte and employs Phoenician language and writing. El Carambolo · Tartessian context [documented]: Appeared in a Tartessian sanctuary; Tartessos is not equivalent to Iberian culture, and the entry is included as an explicit peninsular connection.

Catalogue facts

Role in this museum
deposit
Location
Beds, Seville
Date
8th century BCE
Certainty
documented

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Sculpture51 dated objects

27 / 51In the centre: Astarte from El Carambolo

Also connected, without a comparable date (3)

These objects are not placed after the others: an unknown date does not mean a more recent object.

  • Before PersiaAchaemenid Persia · Central core c. seventeenth century BCE; Neo-Elamite additions between the ninth and sixth centuries BCE
  • Lararium of VilaubaEtruscans and Rome · Roman period
  • The Thracian HorsemanThracians · Roman era · diffusion especially in the 2nd–3rd centuries CE

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

Signs of missing accessories

Ana Navarro observes marks on the head that could have corresponded to an added headdress. The bouffant hairstyle and facial treatment allow comparisons with Eastern ivories, but not certain reconstruction of that crown. A hole in the left shoulder likewise suggests that the lost arm was articulated. The author proposes that it could have moved during liturgical acts; it is a hypothesis, not a documented ritual. Examining these junction points changes the perception of the bronze: the conserved figure could have formed part of a composite image, with accessories and capacities now absent.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

LOCATED SITE

El Carambolo · CamasMarker of the sanctuary and archaeological context.

Where it is held

Seville Archaeological Museum

Item or group in the record · Documented collection

Institutional record of the Astarte of El Carambolo.

The holding institution is documented; public display may change. Check its official record before visiting.

Cultural connections

Phoenician language and tradition →

The inscription dedicates the figure to Astarte and employs Phoenician language and writing.

Documented

Sources and references

Consult the piece and its provenance

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