Acadia
Bassetki Statue Bassetki: a large copper sculpture
A heavy fragment preserves an inscription from Naram-Sin.
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History and context Evidence and facts Objects connected through time Further reading Where it is held Sources and references Comments Museum documentation · free public access, no account required.
⛶ Enlarge imagePHOTOGRAPH OF THE ORIGINAL · Iraq Museum, Baghdad · CC BY-SA 4.0 Documentary original · Exact correspondence
Photograph of the preserved original: Statue of Bassetki.
Osama Shukir Muhammed Amin FRCP(Glasg) · Iraq Museum, Baghdad · Inventory: IM 77823 · CC BY-SA 4.0
History and context The lower part of a figure remains on an inscribed base. The fragment is enough to appreciate the technical ambition of a life-size metal sculpture. The inscription names Naram-Sin, but does not by itself prove that the body represented the king.
The work was stolen in 2003 and recovered near Baghdad. The former director of the Iraq Museum reported that it had been hidden in a septic tank. Its recovery allows us to talk about both Akkadian metallurgy and the vulnerability of the heritage.
Evidence and interpretation Archaeological fragment: torso, head and attributes are not restored as if they were preserved. The location of the discovery does not necessarily determine the workshop that produced it.
Catalogue facts
Date of piece Akkadian period · 23rd century BCE
Culture and period Acadia
Provenance Bassetki, northern Iraq
Material molten copper
Inventory IM 77823 Copper and its alloys11 Sculpture54 Human imagery73 Inscriptions34 Casting21
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4 / 8 In the centre: Bassetki Statue
Also connected, without a comparable date (3) These objects are not placed after the others: an unknown date does not mean a more recent object.
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Before Persia · Central core c. seventeenth century BCE; Neo-Elamite additions between the ninth and sixth centuries BCE · Achaemenid PersiaBhimbetka · Mesolithic–historical and medieval period · PrehistoryEland Cave · Regional tradition of ≈4,000 years · up to historical period · PrehistoryFour offerers · Iberian period · individual dating according to catalogue · IberiansGame Pass Shelter · Regional rock art chronology · panel not dated in isolation · San historiesLararium of Vilauba · Roman period · Etruscans and RomeLeang Karampuang · Minimum 51,200 years · dating published in 2024 · PrehistoryQuinkan Country · Regional art up to ≈27,000 BP · modern continuity · PrehistorySierra de San Francisco · Broad tradition with direct dates ≈5290–295 BP · PrehistoryTassili n’Ajjer · Corpus ≈6000 BCE–first centuries CE · PrehistoryThe Thracian Horseman · Roman era · diffusion especially in the 2nd–3rd centuries CE · ThraciansInscriptions Naqada labels · ca. 3300–3100 BCE · Ancient EgyptNarmer Palette · ca. 3100 BCE · Ancient EgyptUr-Nanshe relief · Mid-3rd millennium BCE · reign of Ur-Nanshe · SumerStele of the Vultures · Towards 2450–2425 BCE · SumerBassetki Statue · Akkadian period · 23rd century BCE · Sumer — You are viewingIndus seals · ca. 2600–1900 BCE · Indus civilisationNaram-Sin Stele · Reign of Naram-Sin, 2254–2218 BCE · SumerStele of Hammurabi · Towards 1750 BCE · SumerPhaistos Disc · ≈1700–1650 BCE · Greek worldsLinear A · c. 1700–1500 BCE · Greek worldsThe voice of Ahiram · c. 11th–10th century BCE · PhoeniciansThe Cascajal Block · Proposed c. 1000–900 BCE · Maya worldsBlack Obelisk · 825 BCE · SumerAstarte from El Carambolo · 8th century BCE · PhoeniciansAstarte from El Carambolo · 8th century BCE · IberiansStele of Esarhaddon · 7th century BC C. · 671 campaign BCE · SumerIvory with names · End of the 7th century–first half of the 6th century BCE · PhoeniciansShabti of Psamtek · 570–526 BCE · Ancient EgyptUni was also Astarte · Towards 510 BCE · Etruscans and RomeSarcophagus of Eshmunazar · first quarter of the 5th century BCE · PhoeniciansEzerovo Ring · 5th century BCE · chronology discussed in the bibliography · ThraciansTwenty-six voiceless signs · 5th–4th centuries BCE · Scythians and SakaThe inscription of Pistiros · 4th century BCE · ThraciansYan knife-money in the Gojoseon sphere · 4th–3rd centuries BCE · Ancient ChinaLead tablet · 4th–3rd centuries BCE · IberiansA coin with the memory of a blade · 323–222 BCE · Gojoseon and early KoreaA sky over the liver · End of the second–beginning of the first century BCE · Etruscans and RomeHand of Irulegui · First third of the 1st century BCE · IberiansBetatun altar · 1st century BCE–1st century CE · IberiansThe date of 292 · 292 CE · Maya worldsKilwa coin · 1482–1493 · Bantu-speaking worldsWithout a comparable date (not part of the chronological order):
Casting Akkadian sovereign head · Akkadian period · 23rd century BCE · SumerBassetki Statue · Akkadian period · 23rd century BCE · Sumer — You are viewingJue · c. sixteenth century BCE · Ancient ChinaBull-leaping · c. 1600–1450 BCE · Greek worldsLiding · 12th–11th centuries BCE · Ancient ChinaTalayotic sword · ≈1200–1000 BCE · destruction of the talayot towards 790 BCE · IberiansThe lute-shaped dagger · Towards 1000–400 BCE · Gojoseon and early KoreaThe great Greek krater of Vix · ≈530–500 BCE · Greek worldsScorțaru cauldron · 6th–5th centuries BCE · ThraciansA battle on a comb · Early 4th century BCE · Scythians and SakaThe blade became straight · 5th–1st centuries BCE · Gojoseon and early KoreaGeometry in very fine lines · 3rd–2nd centuries BCE · Gojoseon and early KoreaEight voices in one hand · 3rd–2nd centuries BCE · Gojoseon and early KoreaFibula from Lancia · ≈300–100 BCE · IberiansHorse fibula · 2nd century BCE · disputed chronology · IberiansA sky over the liver · End of the second–beginning of the first century BCE · Etruscans and RomeThirty-nine buried bells · Buried towards the 1st century BCE–1st century CE · Yayoi JapanKongo crucifix · 16th–17th centuries · Bantu-speaking worldsWithout a comparable date (not part of the chronological order):
A closer look About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: September 14, 2026 .
The weight was not enough to protect it Before the 2003 war, staff left some heavy or fragile pieces in the rooms due to lack of time and equipment to move them. Bassetki was among them. The account published by the Oriental Institute considers it likely that its drag broke the steps of the marble staircase. He does not present this reconstruction as a direct observation. The episode shows a specific conservation difficulty: protecting a sculpture requires means to move it without destroying it.
Where it is held Item or group in the record · Documented collection
Institutional custody and recovery documentation; It is not a current catalog or exhibition notice of the Iraq Museum.
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