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Neo-Assyria

Black Obelisk

The Black Obelisk of Shalmaneser III

The tributes show the empire as its king wished to present it.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 4.0

Documentary original · Exact correspondence

Photograph of the original: Black Obelisk of ShalmaneserIII. Obelisk in perspective with two faces and five registers; Bottom base partially out of frame.

Osama Shukir Muhammed Amin FRCP(Glasg) · British Museum, London · Inventory: BM118885; registro1848,1104.1 · CC BY-SA 4.0

Photograph of the original: Black Obelisk of ShalmaneserIII. Obelisk in perspective with two faces and five registers; Bottom base partially out of frame.
PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 4.0

Documentary original · Exact correspondence

Photograph of the original: Black Obelisk of ShalmaneserIII. Obelisk in perspective with two faces and five registers; Bottom base partially out of frame.

Osama Shukir Muhammed Amin FRCP(Glasg) · British Museum, London · Inventory: BM118885; registro1848,1104.1 · CC BY-SA 4.0

History and context

Five registers run along the four faces of the obelisk. Tribute bearers, inscriptions, and animals from other regions present the extent of Shalmaneser III's power. Selection does not give the same voice to those who deliver the goods and to those who receive them.

One scene relates to the tribute of Jehu, king of Israel, in 841 BCE. The inscription designates him through the House of Omri: it does not mean that he was a relative of Omri. The monument was made later. Separating both dates helps to understand how power used memory.

Evidence and interpretation

Monument of official presentation of Neo-Assyrian power. The inscribed identification of a tribute does not convert each carved figure into a verifiable portrait of the named individual.

Catalogue facts

Date of piece
825 BCE
Culture and period
Neo-Assyria
Provenance
Nimrud, Iraq
Material
black limestone
Inventory
BM 118885 · 1848,1104.1
In this grouping
Monument of tribute to the Assyrian king: it represents political submission and military prestige, not a weapon or a specific battle.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Limestone11 dated objects

8 / 11In the centre: Black Obelisk

Also connected, without a comparable date (1)

These objects are not placed after the others: an unknown date does not mean a more recent object.

  • Before PersiaAchaemenid Persia · Central core c. seventeenth century BCE; Neo-Elamite additions between the ninth and sixth centuries BCE

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

A tribute was not always money

The top register shows horses from Gilzanu, while another strip includes an elephant and an ape among the animals delivered. The catalog relates records to different territories. Observing what each delegation transports helps to understand a tribute that is not reduced to coins or a single merchandise. The variety makes visible the scope of the authority claimed by the king; It does not allow us to calculate the economic value of all deliveries on its own.

Where it is held

British Museum, London

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The British Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

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