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HISTORY · OPEN COLLECTION

Iberians

Bronze Age communities and their selective exchanges with the Mediterranean preceded the diverse Iberian societies of eastern and southern Iberia. Their towns, languages and aristocracies were not one unified kingdom.

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Iberians

Before you begin · Iberias

Before the Iberians: villages and Mediterranean contacts

Iberian societies arose from peninsular communities with a long history, transformed by their relations within and outside the Mediterranean.

  1. For about 7,000 years

    Farming villages

    In the Villena area, farming, livestock and pottery transform the daily relationship with the territory.

  2. III–II millennia BCE

    Bronze Age settlements

    Settlements such as Cabezo Redondo articulate production, exchange and wealth differences before the Iberian horizon.

  3. 8th–6th centuries BCE

    The formation of Iberian cultures

    Local communities and Mediterranean contacts contribute, at different rhythms, to new forms of urban life.

Read the introduction

Prehistoric origins

Long before Iberian sculptures, the communities of the eastern peninsula had learned to cultivate, raise animals and make pottery. In the Villena area, the Neolithic began about seven thousand years ago. Villages, fields and paths were shaping a inhabited landscape that would change many times before receiving names known to ancient authors.

The earliest cultures

During the Bronze Age, settlements grew on high ground, workshops and exchange networks developed. Cabezo Redondo, in Alicante, brought together dwellings, craft activities and wealth at a crossroads with water and salt. These settlements show organised societies and prestige differences prior to the formation of Iberian cultures.

How this history is formed

Between the 8th and 6th centuries BCE, contacts with Phoenicians and Greeks combined with local changes. New urban centres, aristocracies and forms of writing, trade and ritual developed. The result was a diverse set of Iberian societies: sharing some objects and customs did not mean belonging to a single kingdom.

From the past to the museum you are about to explore

The museum’s pieces allow tracing these relations in ceramics, sculpture, writing and funerary assemblages.

Interpreting these traces. Cabezo Redondo offers a regional antecedent; its inhabitants cannot automatically be identified as Iberians nor explain all of Iberia by themselves.

Sources for further exploration

Many Iberias

6TH–1ST CENTURIES BCE · PREVIOUS CONNECTIONS AND ROMAN EPILOGUE

The entrance brings together the initial atlas and the museum’s background. The 54 catalogue stops are then organised into seven areas: context, culture, architecture, figures, treasures, beliefs and four historical doors.

The documentation provided is used as a critical starting source. The museum separates direct evidence, probable reconstruction and literary tradition, and preserves the necessary chronological and cultural cautions.

Eastern and southeastern Iberian peninsula, with focus on the Villena corridor and Mediterranean networks

From those Bronze Age communities and their selective dialogue with the Mediterranean arose, between the 6th and 1st centuries BCE, multiple Iberian societies with their own languages, cities and aristocracies.

The Villena Treasure is prior to the Iberian world and should not be presented as an Iberian work; it explains a regional substratum, not a demonstrated ethnic continuity.

Read the background and its sources →

EXPLORE THE COLLECTION

The museum, section by section

Follow the museum’s curated order or go straight to a section. Every record includes its full public documentation and sources.

01 · COLLECTION

Museum Access

All sections ↑

Consult the maps and initial context sheets to situate this museum in time and territory; then choose the areas that interest you most.

02 · COLLECTION

Origins and context

All sections ↑

Menga, the Motilla del Azuer and the Villena treasure show periods earlier than the Iberians. The route then distinguishes territories, languages and the connections of many Iberias.

03 · CONNECTION, NOT IBERIAN PIECE · OPPIDUM AND IBERO-ROMAN CITY

Visual hypothesis of a stretch of the Iberian wall of Cástulo before the republican reform: masonry and adobe on the slope; geometry and elevation not exact.

Cástulo

Cástulo was an important city before Rome and continued to change under its rule.

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03 · COLLECTION

Culture, music and words

All sections ↑

The auletris, narrative vases, lead weights and workshops show concrete cultural practices without inventing a theatre or a single language for all Iberias.

04 · COLLECTION

Architecture and places

All sections ↑

Walls, paths, sanctuaries and funerary chambers organise power and memory; no single form represents the entire Iberian world by itself.

05 · COLLECTION

People and their stories

All sections ↑

Historical figures, reconstructed voices and collectives; ritual images are not secure portraits. Ordered from oldest to most recent by life, reign or scene. Periods may overlap; voices without determinable dates close the route.

05 · CONNECTION, NOT AN IBERIAN PIECE · CONNECTION · GYMNASIES AND THE MEDITERRANEAN

Image of Balearic Slinger

Balearic Slinger

Balearic slingers were known for their skill and served in Carthaginian and Roman armies.

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17 · CONNECTION, NOT IBERIAN PIECE · ASCOLI BRONZE · CITIZENSHIP AND SERVICE

Image of the Turma Salluitana

Turma Salluitana

An inscription identifies the horsemen from Hispania who received Roman citizenship for their military service.

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06 · COLLECTION

Treasures and evidence

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Archaeological objects and assemblages explain techniques, exchanges, memory and use; each piece distinguishes its provenance from peninsular or Roman comparisons.

21 · CONNECTION, NOT IBERIAN PIECE · RELIGION IN TRANSFORMATION · KING'S FORT

Betatun inscribed cippus DJ/DA07677: interpretative reconstruction on a black background based on the photograph of the original DJ/DA07677.

Betatun altar

A Latin inscription preserves an offering to Betatun, a deity with an indigenous name.

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07 · COLLECTION

Beliefs and curiosities

All sections ↑

Three documented questions distinguish archaeological fact from its interpretations: a sculpture turned into an urn, four panoplies before a woman and a Greek vase transformed by an Iberian rite.

08 · COLLECTION

Connected cultures

All sections ↑

Four thresholds explain exchange, colonisation, contact, conquest and unequal integration before inviting entry to the museum of each destination.

01 · GATE 01 · EXCHANGE AND COLONISATION

Representative image of the gate from the Iberian world towards Phoenicia

Phoenicia

Gadir, present-day Cádiz, brings together a Phoenician foundation, a Hercules legend and the temple of Melkart.

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Continue exploring

books

Voces escritas sobre metal

Discover the connected fiction project. The available Prehistory reader is in Spanish; other volumes are not presented as finished products for sale.

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Play through history

Try the available Prehistory browser alpha. Campaigns for the other cultures are still in development.

Open the game (Spanish) →

Visit the real places

Use each record’s institution and heritage links to continue your research. Country-by-country historical travel guides are planned, not yet published.

Historical travel →

Objects with a story

Discover artistic designs inspired by the collections and check each product’s availability. Museum access remains free.

Explore the collection →