DOCUMENTED PERSON · RECONSTRUCTION
Warrior of Edeta
A warrior recreated from the pottery of Edeta
This reconstruction brings together the arms and protections that appear on the Warriors' Vase.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.
History and context
This three-dimensional figure takes its cuirass, falcata, lance, and shield from the Warriors' Vase. The posture allows studying how the pieces were combined and how the balance changed when fighting or marching.
It has no name or historical biography. Its face, age, voice, and episode are documented fiction; the proportions of the weapons, clothing, and gestures are reviewed against the ancient image and other finds.
Evidence and interpretation
Documented fact: the model distinguishes attributes copied from the vase and archaeological comparisons. Interpretation and caution: completing in three dimensions a body represented in profile requires modern decisions that must not be confused with original evidence.
Catalogue facts
- Narrative date
- Narrative framework: centuries III–II BCE
- Location
- Edeta / Tossal de Sant Miquel, Llíria
- Material
- 3D Reconstruction · ceramic and archaeological sources
- Context
- Explicitly documented fictional character
- Classification
- Iberian collection or explicit interpretive resource
- Visual reference
- Museum of Prehistory of Valencia · documented detail of the frieze of Edeta
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A painted cuirass does not automatically reveal its material
The monograph on the Warriors' Vase retains the traditional term cuirass but warns it could be textile protection. The image does not allow ensuring that each small motif represents a metal scale. This caution must accompany the recreated figure: the three-dimensional model turns lines into volume and needs to choose materials that the vase does not always specify. Its usefulness is to show a hypothesis of clothing, not to close the debate. The fictional face and biography likewise do not turn the painted figure into an identified individual.
Reference images and provenance
No verifiable entrance photograph is preserved for this representation. You may consult its documentation, but we would not present its face as an exact reconstruction.
Additional visual documentation
A cited publication does not establish which image was used to create the character.
Sources and references
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