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Neo-Assyria · literature of the Babylonian tradition

Flood Tablet

The flood in the epic of Gilgamesh

An Assyrian copy preserved a much older account.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 4.0

Documentary original · Exact correspondence

Photograph of the original: Flood Tablet, XI of the Epic of Gilgamesh. Clear photograph of the complete preserved tablet, with two columns and a fragmented edge; visible display case supports.

Mike Peel · British Museum, London · Inventory: K.3375 · CC BY-SA 4.0

Photograph of the original: Flood Tablet, XI of the Epic of Gilgamesh. Clear photograph of the complete preserved tablet, with two columns and a fragmented edge; visible display case supports.
PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 4.0

Documentary original · Exact correspondence

Photograph of the original: Flood Tablet, XI of the Epic of Gilgamesh. Clear photograph of the complete preserved tablet, with two columns and a fragmented edge; visible display case supports.

Mike Peel · British Museum, London · Inventory: K.3375 · CC BY-SA 4.0

History and context

Utnapishtim tells how he received a warning from Ea and built a boat before the flood. The passage is part of Tablet XI of the Epic of Gilgamesh. This copy was found in Nineveh, among the texts collected in the library of Ashurbanipal.

In 1872, its reading by George Smith aroused great interest due to the similarities with the Genesis account. The piece allows you to compare literary traditions. It does not prove that there was a flood that covered the entire planet.

Evidence and interpretation

Neo-Assyrian written testimony of an earlier literary tradition. It is not a text written by Gilgamesh nor a direct record of the narrated event.

Catalogue facts

Date of piece
7th century BCE
Culture and period
Neo-Assyria · literature of the Babylonian tradition
Provenance
Nineveh, Iraq Ashurbanipal Library
Material
Clay
Inventory
K.3375

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Clay32 dated objects

28 / 32In the centre: Flood Tablet

Also connected, without a comparable date (8)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

Three different times

It is advisable to separate the era of the characters in the story, the formation of the tradition and the date of this material copy. The writing columns on both sides belong to the Nineveh archive. When comparing stories, the similarity of an episode is not enough to reconstruct its entire transmission on its own.

Where it is held

British Museum, London

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The British Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

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