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BELIEFS AND CURIOSITIES · DEATH AND MEMORY

The statue was the urn

A real woman inhabited the stone

The Lady of Baza was used as an urn to hold the cremated remains of a woman.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

Image of The statue was the urn
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

History and context

The seated sculpture presided over the tomb and, at the same time, contained the deceased. Winged throne, polychromy, bird and clothing turned the funerary receptacle into a presence capable of continuing to look at those who entered.

It may represent the idealised woman, an ancestress or a divine figure linked to her. The extraordinary does not require choosing a single explanation: a woman occupied the material and visual centre of a funeral of enormous investment.

Evidence and interpretation

Documented fact: the cavity contained the cremated remains of an adult woman and the statue functioned as an urn. Open interpretation: we do not know her name nor can we be certain that she was queen, priestess, goddess or founder of a lineage.

Catalogue facts

Location
Burial 155, Cerro del Santuario, Baza
Date
First half of the 4th century BCE
Secure reading
Sculptural cinerary urn and memory monument
Caution
The identity and office of the deceased are unknown

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Stone19 dated objects

18 / 19In the centre: The statue was the urn

Also connected, without a comparable date (10)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

How the age was estimated

The studies of the remains recovered inside the Lady were not limited to recognising human fragments. To estimate the age, definitive molar roots, fused vertebral rings and phalanges whose epiphyses were already united were examined. The combination allowed placing the deceased approximately between twenty-five and thirty years old. Fragments of skull, ribs, pelvis and extremity bones were also identified. The anatomical diversity provides information about post-cremation collection; it does not equate to preserving a complete skeleton nor knowing the cause of death.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

LOCATED SITE

Baza · GranadaMarker of the funerary assemblage.

Where it is held

Museo Arqueológico Nacional (Madrid)

Item or group in the record · Permanent exhibition

The card refers to the same Lady of Baza and her function as a funerary urn.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Expand this information at the National Archaeological Museum

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