TRAVELLING OBJECT · INTERCULTURAL BIOGRAPHY
The silver amphora of Chertomlyk
Greek tradition artisans represented scenes related to the care of Scythian horses.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction; not a photograph of the original nor documentary evidence.
History and context
Black Sea Greek workshop: The manufacture is attributed to artisans trained in the Greek tradition.
The same piece also appears in Chertomlyk · Scythian world. Duplicating the label does not duplicate authorship: it allows reading manufacture, use, deposit and discovery from both trajectories.
Evidence and interpretation
Black Sea Greek workshop [probable]: The manufacture is attributed to artisans trained in the Greek tradition. Chertomlyk · Scythian world [documented]: Programme, use and tomb point to Scythian equestrian and funerary practices.
Catalogue facts
- Role in this museum
- production
- Location
- Pontic region
- Date
- 4th century BCE
- Certainty
- probable
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Silver19 dated objects

ca. 2600–2400 BCE
The goat from PG 1237
Sumer
The function as support is not resolved.
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14th–13th centuries BCE
Stag Vessel
Hittites
Approximate dating according to the record.
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Final Bronze, c. 1000 BCE
Before the Iberias
Iberians
Date of the treasure, not of the preceding general period.
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5th–4th centuries BCE
Overlapping datesTwenty-six voiceless signs
Scythians and Saka
Approximate dating according to the record.
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mainly 5th–4th centuries BCE; The set has a history of accumulation, not a single manufacturing date.
Overlapping datesRogozen
Thracians
Primary interval of the cumulative set, not single manufacturing date.
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You are viewing4th century BCE
The silver amphora of Chertomlyk
Greek worlds
Approximate dating according to the record.
Current record
4th century BCE
Overlapping datesTreasure of Jávea
Iberians
Approximate dating according to the record.
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664–30 BCE
Overlapping datesThoth in the form of a baboon
Ancient Egypt
Approximate dating according to the record.
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Second half of the 4th century BCE
Overlapping datesPoroina Mare Rhyton
Thracians
Second half of the 4th century BCE; the specific ritual is not known.
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4th century BC C.; 350–300 BCE in the ISAW catalog.
Overlapping datesBorovo
Thracians
Explicit range from the ISAW catalog, included in the card.
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4th–3rd centuries BCE
Overlapping datesFalcata from Almedinilla
Iberians
Approximate dating according to the record.
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Jewellery from the 4th–3rd centuries BCE; concealment at the end of the 3rd century BCE.
Overlapping datesTreasure of Cheste
Iberians
Interval of the jewellery, not of the later concealment.
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3rd century BCE
Mairena Hoard
Iberians
Approximate dating according to the record.
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3rd–2nd centuries BCE · concealed in the early 1st century BCE
Chão de Lamas pectoral
Iberians
Centuries of manufacture of the piece; not a later date of concealment.
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Piece: III–II centuries BCE · concealment ≈110–76 BCE
Vase from Chão de Lamas
Iberians
Centuries of manufacture of the vase; not a concealment interval of the treasure.
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2nd century BCE · disputed chronology
Horse fibula
Iberians
The attribution to the 2nd century BCE is disputed.
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2nd–1st centuries BCE
The dismantled cauldron
Celtic worlds
Approximate dating according to the record.
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Second half of the 2nd–beginnings of the 1st century BCE
Patera from Perotito
Iberians
The full 2nd–1st centuries BCE provide broad limits for chronological ordering; the record specifies the second half of the 2nd century and the early 1st.
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≈25–23 BCE
Denarius of Carisius
Iberians
Approximate dating according to the record.
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A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
The decoration also conducts the liquid
The body of the amphora does not end in a closed surface: it incorporates three spouts, two in the form of lion’s heads and another of a winged horse. Above, pairs of birds among flowers and palmettes give way to scenes of horse handling, while an upper frieze presents griffins attacking a stag. The study of E. E. Kuzmina distinguishes these registers before discussing their meaning. This distribution obliges one to traverse the vessel vertically: fantastic animals, human actions and vegetal ornamentation occupy distinct zones of a piece that integrates figuration and drink service.
Location and territory
REGIONAL AREA
Pontic regionCrete, Aegean and mainland Greece; the museum begins in the Minoan phase. The footprint marks the orientative centre of the scope, not a boundary nor an exact point.Where it is held
State Hermitage Museum
Item or group in the record · Documented collection
The holding institution is documented; public display may change. Check its official record before visiting.
Cultural connections
Chertomlyk · Scythian world →
Programme, use and tomb point to Scythian equestrian and funerary practices.
Documented
Sources and references
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