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CONNECTION, NOT IBERIAN PIECE · CONNECTION · LUSITANIA

Chão de Lamas pectoral

Silver for a world in transition

Serpents, boars, birds and fragmented bodies cover a silver crescent.

Museum documentation · free public access, no account required.

Image 1 of 2 · Main image
RECONSTRUCTION FROM THE ORIGINAL · IA · CC BY 2.0

Reconstruction · Declared visual hypothesis

AI-based interpretive recreation from photograph by Ángel M. Felicísimo. CC BY 2.0. Changes: black background, lighting and surface finish. Not an archaeological photograph nor a certified restitution. Microdetails, finish and colour are interpretive approximations.

Tracekeepers / OpenAI ImageGen; source photograph: Ángel M. Felicísimo · National Archaeological Museum of Spain · Inventory: MAN 28589 · CC BY 2.0

Image 1 of 2 · Main image
Chão de Lamas pectoral: interpretive reconstruction on black background based on the photograph of the original MAN 28589.
RECONSTRUCTION FROM THE ORIGINAL · IA · CC BY 2.0

Reconstruction · Declared visual hypothesis

AI-based interpretive recreation from photograph by Ángel M. Felicísimo. CC BY 2.0. Changes: black background, lighting and surface finish. Not an archaeological photograph nor a certified restitution. Microdetails, finish and colour are interpretive approximations.

Tracekeepers / OpenAI ImageGen; source photograph: Ángel M. Felicísimo · National Archaeological Museum of Spain · Inventory: MAN 28589 · CC BY 2.0

History and context

The repoussé plate ends in serpent heads and gathers animals, human figures and hybrid medallions. The treasure could have been a concealment of wealth or a deposit related to a sanctuary; both possibilities describe different actions.

Its iconography has been read as transition to the afterlife, regeneration or enemy sacrifice. These are consistent theories, not ancient subtitles. The wealth of the set shows contacts and shared languages in late western Iberia.

Evidence and interpretation

Documented fact: decoration, technique, dimensions and belonging to the Chão de Lamas treasure are in the catalogue. Interpretation and caution: the sanctuary function and eschatological meaning derive from typology and iconography; they are presented as hypotheses.

Catalogue facts

Narrative date
3rd–2nd centuries BCE · concealed in the early 1st century BCE
Location
Chão de Lamas, Miranda do Corvo (Portugal)
Material
Repoussé silver
Context
Lusitanian sphere · connection, not Iberian piece
Classification
Comparative connection · must not be presented as an Iberian piece
Visual reference
CERES · MAN 28589 · visual and provenance reference

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Silver19 dated objects

14 / 19In the centre: Chão de Lamas pectoral

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

The composition directs the gaze towards two faces

In the centre appear two frontal male heads, with curly hair, thick beards and slightly open mouths. Their large eyes lack indicated pupils. Each face occupies a medallion with a roped edge; between them are interposed horizontal signs resembling a C. To the sides, two large birds of prey and then two verracos are oriented towards this centre. Olmos and Moreno Conde study this organisation as a narrative articulated around an axis, not as a casual sum of animals. The arrangement can be observed; proposals about gaze, breath or heroic transit belong to their interpretation.

Reference images and provenance

Photograph of the original: Pectoral from Chão de Lamas, MAN 28589.View full-size photograph ⛶
ORIGINAL PHOTOGRAPH · Ángel M. Felicísimo · CC BY 2.0

Documentary photograph without semantic retouching. Preserves the condition and visible details of the reference piece.

Documentary original · Exact correspondence

Ángel M. Felicísimo · National Archaeological Museum of Spain · Inventory: MAN 28589

Where it is held

Museo Arqueológico Nacional (Madrid)

Item or group in the record · Documented collection

CER.ES · inventory 28589.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Expand this information and consult its provenance

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