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HISTORY · OPEN COLLECTION

Greek worlds

Permanent villages, seafaring, collective tombs, seals and specialised workshops preceded the first Cretan palaces. The museum begins with Minoan contexts and continues into Mycenaean and Greek histories without treating them as identical societies.

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Greek worlds

Before you begin · Greek worlds

The Aegean before the palaces

The stories of Crete, the islands and mainland Greece intertwined through villages, workshops and sea voyages.

  1. From the 7th millennium BCE

    Neolithic Knossos

    A long succession of settlements precedes the buildings that today we identify with the Minoan world.

  2. From c. 1900 BCE

    Cretan palaces

    Storage, craft and ritual are concentrated in large complexes connected with the Mediterranean.

  3. c. 1600–1100 BCE

    The Mycenaean world

    The continental centres and their archives in Greek form a related but distinct trajectory.

Read the introduction

Prehistoric origins

Knossos has been inhabited since the Neolithic, thousands of years before its famous palace. Communities cultivated, raised animals and made objects to live and gather. The sea linked different territories: Crete formed part of an Aegean with its own insular and continental histories. The prolonged occupation of a place does not mean that its institutions or its inhabitants remained the same.

The earliest cultures

In the Early Bronze Age, Cretan workshops developed stone, metal, pottery and seal work. During the second millennium BCE, centres such as Knossos, Malia and Phaistos concentrated storage, administration and ceremonies in complexes we call palaces. The term 'Minoan' was created by modern archaeologists from the legendary Minos; we do not know a historical kingdom founded by that figure.

How this history is formed

From around 1600 BCE, the Mycenaean centres of mainland Greece acquired great power and maintained close relations with Crete. Their scribes used Linear B to record an ancient form of Greek. The palatial crises at the end of the second millennium transformed these societies. Later Greek cities would recover and reinterpret that past, without continuing intact the palace system.

From the past to the museum you are about to explore

The route allows comparing objects, images and writings of these worlds without merging them into a single culture.

Interpreting these traces. Minoan, Mycenaean and Greek are not three successive names of the same State nor a continuous political genealogy.

Sources for further exploration

Greeks: from Minoan Crete to the Hellenic world

From the Minoan phase ≈3100 BCE · EUROPE AND AEGEAN

Access to the museum brings together the atlas and the background of the Greeks. Afterwards, seven areas order the historical context, culture, architecture, characters and society, treasures and assemblages, beliefs and curiosities, and five historical doors towards other museums. Each card preserves narrative layers, cautions and differentiated sources.

The room combines a specific visual catalog with an audited thematic dossier. Separates facts, interpretations and cautions; the 3D volumes continue to be replaceable markers until models with provenance and license are incorporated.

Crete and its maritime corridors towards the Cyclades, Anatolia, Egypt and the Levant

Permanent villages, navigation, collective tombs, seals and specialised workshops preceded the concentration of resources and ceremonies in the first Cretan palaces.

'Minoan' is a modern label; prepalatial connections do not prove a unified kingdom nor the historical existence of King Minos.

Read the background and its sources →

EXPLORE THE COLLECTION

The museum, section by section

Follow the museum’s curated order or go straight to a section. Every record includes its full public documentation and sources.

01 · COLLECTION

Museum Access

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Consult the maps and initial context sheets to situate this museum in time and territory; then choose the areas that interest you most.

02 · COLLECTION

Origins and context

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The first stop reconstructs the area before the Greeks; afterwards, places and processes allow entering its history without reducing it to a start date nor to an inevitable destiny.

03 · COLLECTION

Culture, music and words

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These stops distinguish instruments, ritual actions, orality or writing and visual culture. Where there is no theatre, score or certain meaning, the museum preserves the limit.

04 · COLLECTION

Architecture and places

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These architectures explain how materials, water, work and memory organized the territory without converting an elevation reconstruction into certainty.

05 · COLLECTION

People and their stories

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Known people, reconstructed voices and collective footprints. From oldest to most recent according to life, reign or scene. The periods may overlap; The voices without a determinable date close the journey.

01 · CHRONOLOGICAL WING · SCULPTURE · HISTORICALLY ATTESTED FIGURE

AI-recreated portrait of Pericles, head and shoulders on a black background; hypothetical appearance.

Pericles

Pericles was a central figure in Athens during a period of major public works and conflicts.

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02 · HISTORICAL FIGURE · WHO WROTE THESE HISTORIES

AI-generated portrait of Herodotus, head and shoulders against a black background; hypothetical appearance.

Herodotus

Herodotus gathered accounts about Greeks, Persians and other peoples to investigate their conflicts and customs.

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03 · CHRONOLOGICAL WING · SCULPTURE · HISTORICALLY ATTESTED FIGURE

AI-generated portrait of Socrates, head and shoulders against a black background; hypothetical appearance.

Socrates

Socrates left no writings; we know his ideas through authors who portrayed him in different ways.

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05 · CHRONOLOGICAL WING · SCULPTURE · HISTORICALLY ATTESTED FIGURE

AI-generated portrait of Plato, head and shoulders against a black background; hypothetical appearance.

Plato

Plato expounded his philosophical questions and ideas through dialogues between characters.

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08 · CHRONOLOGICAL WING · SCULPTURE · HISTORICALLY ATTESTED FIGURE

AI-recreated portrait of Aristotle, head and shoulders against a black background; hypothetical appearance.

Aristotle

Aristotle founded the Lyceum; his works have come down to us through later copies and editions.

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12 · HISTORICAL FIGURE · WHO WROTE THESE HISTORIES

AI-recreated portrait of Strabo, head and shoulders against a black background; hypothetical appearance.

Strabo

Strabo described places he visited and others he knew through others’ accounts, including Iberia.

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06 · COLLECTION

Treasures and evidence

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Concrete pieces to understand materials, decisions and knowledge systems, with separate evidence and interpretation.

07 · COLLECTION

Beliefs and curiosities

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These cards separate what is documented from what is interpreted and recover practices, questions and details capable of changing our image of this culture.

08 · COLLECTION

Connected cultures

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Each door explains why the link exists, when it occurred, and what limits prevent contact from being converted into shared identity.

Continue exploring

books

El mar después del palacio

Discover the connected fiction project. The available Prehistory reader is in Spanish; other volumes are not presented as finished products for sale.

Explore the books →

Play through history

Try the available Prehistory browser alpha. Campaigns for the other cultures are still in development.

Open the game (Spanish) →

Visit the real places

Use each record’s institution and heritage links to continue your research. Country-by-country historical travel guides are planned, not yet published.

Historical travel →

Objects with a story

Discover artistic designs inspired by the collections and check each product’s availability. Museum access remains free.

Explore the collection →