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10 · Cimmerian Bosporus · images taken from life

Faces of the Steppe

The gold vessel of Kul-Oba

The scenes show several men speaking, attending to others and drawing a bow, with details of their clothing and equipment.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

Specific historical recreation of The gold vase of Kul-Oba, Kurgan Kul-Oba, near Kerch, Crimea, Second half of the fourth century BCE
DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

History and context

The small gold vase shows pairs of Scythians and an archer drawing his bow. Beards, hairstyles, trousers and equipment are worked with a naturalism indicating direct familiarity with inhabitants of the Black Sea region.

Some readings link the scenes to an origin account from Herodotus. Without an inscription, it is advisable to first see what is observable: bodily care, conversation, bow technology and a work created in the Bosporan kingdom for a Scythian tomb.

The vase measures only thirteen centimetres in height and appeared in a female tomb at Kul-Oba. In its frieze, pairs of men converse or attend a body while another figure draws a bow, all at a scale of a few centimetres.

The Hermitage attributes the manufacture to the Bosporan kingdom and stresses that the Greek master knew local clothing and weapons closely. The visual precision documents contact; it does not guarantee that each scene copies a real event.

Evidence and interpretation

Documented fact: the Hermitage dates the vessel to the second half of the fourth century BCE, identifies its provenance as a woman’s tomb at Kul-Oba and places its production in the Bosporan Kingdom. Interpretation and caution: the specific mythical narrative and the identity of each figure remain hypotheses. Additional documented evidence: the gold vessel was made in the Bosporan Kingdom in the second half of the fourth century BCE and was found near Kerch in a tomb at Kul-Oba. Further interpretation and caution: the connection with Herodotus’s account of the sons of Heracles is an interpretation; do not present the scenes as a medical consultation or a myth identified with certainty.

Catalogue facts

Narrative date
Second half of the 4th century BCE
Location
Kurgan Kul-Oba, near Kerch, Crimea
Material
Repoussé and chased gold
Context
Luxury vessel in a Scythian tomb
Curatorial reading
The documented fact and its interpretation appear separately in the evidence block.
Height
13 cm
Place of manufacture
Bosporan kingdom
Context
Female tomb of the Kul-Oba kurgan
Documentary coverage
2 museum, heritage, primary corpus or research sources for this stop.
Intercultural biography
Bosporan kingdom · Greek workshop: production · Kul-Oba · Scythian context: deposit
In this grouping
Vase representing warrior equipment and actions; not all its scenes describe combat.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

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Gold32 dated objects

24 / 32In the centre: Faces of the Steppe

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

The same repertoire on a bronze coin

Vladimir Stolba compares the figures on the vase with the horseman on the coins of Kerkinitis, a Greek city in western Crimea. In these, the hair swept back, the beard, the fitted caftan and the wide trousers form a repertoire similar to that of several elite vessels, including Kul-Oba. The comparison widens the circle of images: this way of representing the Scythians was not confined to a tomb, but was also used in coin issues. They are shared conventions, not individual portraits identified.

Where it is held

State Hermitage Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Cultural connections

Bosporan kingdom · Greek workshop →

Technique and composition are linked to Greek workshops of the Black Sea.

Probable

Sources and references

Expand this information and consult its sources

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