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HISTORY · OPEN COLLECTION

Scythians and Saka

Horse-based mobility, exchange and burial networks linked communities across the steppe. The horizons later described as Scythian and Saka connected regions from the Black Sea to Central Asia without forming a single uniform people.

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Scythians and Saka

Before you begin · Scythians and Saka

Before Scythians and Sakas: learning to live on the steppe

The Scythian and Saka peoples formed part of an older history of pastoralism, mobility and encounters across Eurasia.

  1. II millennium BCE

    Pastoral communities

    Herding livestock and contacts between territories sustain different ways of inhabiting the steppes.

  2. c. 1200–600 BCE

    Mongolian deer stones

    Monuments, tumuli and horse deposits configure ritual landscapes of the end of the Bronze Age.

  3. From c. 900 BCE

    The Scythian world

    Tumuli, harnesses and animal art document connected equestrian societies, with important differences between their regions.

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Prehistoric origins

During the Bronze Age, distinct steppe communities developed pastoral economies and ways of moving with their animals. Life depended on knowing pastures, water and seasons. Inhabiting these vast spaces did not mean living without links: contacts allowed the exchange of materials, techniques and objects between very distant regions.

The earliest cultures

In Mongolia, deer stone complexes, tumuli and altars from approximately 1200–600 BCE show shared ceremonial landscapes. Animal images and horse remains reveal the social and ritual importance of these links. They constitute an antecedent and an eastern context for the steppe world, without representing the exclusive origin of all its peoples.

How this history is formed

At the beginning of the first millennium BCE, assemblages associated with the Scythian world are recognised: burials under tumuli, equestrian equipment and objects decorated with animals. Greek sources used the name Scythians and Persian sources the name Saka for diverse populations. Their networks linked spaces of Central Asia and Siberia with the north of the Black Sea.

From the past to the museum you are about to explore

The museum’s objects allow exploration of how horses, weapons, textiles and represented animals expressed belonging, skill and prestige.

Interpreting these traces. Scythian and Saka do not designate a single state; artistic similarities do not prove that all these communities shared the same identity.

Sources for further exploration

Scythian / Saka

c. 800–700 BCE · EUROASIAN STEPPE

Access to the museum brings together the atlas and the background on Scythians and Sakas. Then, seven areas organise the historical context, culture, architecture, figures and society, treasures and grave goods, beliefs and curiosities, and five historical doors to other museums. Each entry preserves narrative layers, cautions and differentiated sources.

The room combines a specific visual catalog with an audited thematic dossier. Separates facts, interpretations and cautions; the 3D volumes continue to be replaceable markers until models with provenance and license are incorporated.

Eurasian steppes, from Mongolia and the Altai to Kazakhstan and the western corridors

From these equestrian and funerary networks emerged the horizons that historical sources would call Scythian and Saka, connected from the Black Sea to Central Asia.

Deer stones are not automatically Scythian: they belong to earlier and diverse communities. Their visual resemblance to later art indicates possible connections, not a demonstrated identity.

Read the background and its sources →

EXPLORE THE COLLECTION

The museum, section by section

Follow the museum’s curated order or go straight to a section. Every record includes its full public documentation and sources.

01 · COLLECTION

Museum Access

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Consult the maps and initial context sheets to situate this museum in time and territory; then choose the areas that interest you most.

02 · COLLECTION

Origins and context

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The first stop reconstructs the area before Scythians and Sakas; afterwards, places and processes allow entry into their history without reducing it to a start date or an inevitable destination.

03 · COLLECTION

Culture, music and words

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These stops distinguish instruments, ritual actions, orality or writing and visual culture. Where there is no theatre, score or certain meaning, the museum preserves the limit.

04 · COLLECTION

Architecture and places

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These architectures explain how materials, water, work and memory organized the territory without converting an elevation reconstruction into certainty.

05 · COLLECTION

People and their stories

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Known people, reconstructed voices and collective footprints. From oldest to most recent according to life, reign or scene. The periods may overlap; The voices without a determinable date close the journey.

06 · COLLECTION

Treasures and evidence

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Concrete pieces to understand materials, decisions and knowledge systems, with separate evidence and interpretation.

04 · DOCUMENTED OUTFIT · CLOSED CONTEXT OR CONTROLLED COMPARISON

Contextual image of Arzhan-2 in the Valley of the Kings for the assemblage Steppe Barrows

Steppe kurgans

These burials preserved gold ornaments, weapons and materials uncommon in other graves, such as clothing, felt and leather.

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07 · COLLECTION

Beliefs and curiosities

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These cards separate what is documented from what is interpreted and recover practices, questions and details capable of changing our image of this culture.

08 · COLLECTION

Connected cultures

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Each door explains why the link exists, when it occurred, and what limits prevent contact from being converted into shared identity.

Continue exploring

books

El horizonte que viajaba

Discover the connected fiction project. The available Prehistory reader is in Spanish; other volumes are not presented as finished products for sale.

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Play through history

Try the available Prehistory browser alpha. Campaigns for the other cultures are still in development.

Open the game (Spanish) →

Visit the real places

Use each record’s institution and heritage links to continue your research. Country-by-country historical travel guides are planned, not yet published.

Historical travel →

Objects with a story

Discover artistic designs inspired by the collections and check each product’s availability. Museum access remains free.

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