Skip to content
TRACEKEEPERS
Menu
← Back to the collection

Mari Archaic Dynastic IIIb

Statue of Ebih-Il

Ebih-Il, a devotee of Mari

The embedded eyes make a seated figure appear to be looking back at us.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · Musée du Louvre, Oriental Antiquités · CC BY 2.5 for the photograph

Documentary original · Exact correspondence

Detail of head, torso and hands of the original statue of Ebih-Il; The photograph does not show the entire seated figure.

Jastrow (Marie-Lan Nguyen) · Musée du Louvre, Oriental Antiquities · Inventory: AO 17551 A · M. 177 · CC BY 2.5 for photography

Detail of head, torso and hands of the original statue of Ebih-Il; The photograph does not show the entire seated figure.
PHOTOGRAPH OF THE ORIGINAL · Musée du Louvre, Oriental Antiquités · CC BY 2.5 for the photograph

Documentary original · Exact correspondence

Detail of head, torso and hands of the original statue of Ebih-Il; The photograph does not show the entire seated figure.

Jastrow (Marie-Lan Nguyen) · Musée du Louvre, Oriental Antiquities · Inventory: AO 17551 A · M. 177 · CC BY 2.5 for photography

History and context

Ebih-Il remains seated with his hands folded. The light stone, inlaid eyes and inscription allow recognition of an individual dedication in the Ishtar temple of Mari. This is not an anonymous figure to whom we have added a modern name.

Its title, nu-band, indicates a role of responsibility. The piece brings the visit to other cities on the Euphrates, not just those in the south. Nor does its inscription in Akkadian automatically make it a work of the later empire of Akkad: a language and an empire are not the same.

Evidence and interpretation

Incomplete statue found in 1934. The foot fragments have separate records. No private experiences or thoughts of the dedicator are reconstructed from his expression.

Catalogue facts

Date of piece
Towards 2400 BCE
Culture and period
Mari Archaic Dynastic IIIb
Provenance
Temple of Ishtar, Mari, present-day Syria
Material
Alabaster, shell, lapis lazuli and bitumen
Inventory
AO 17551 A · M. 177

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Stone19 dated objects

12 / 19In the centre: Statue of Ebih-Il

Also connected, without a comparable date (10)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

Carving different materials on a stone

The sculptor represented a basketry stool and a skirt of the type called kaunakès, in addition to contrasting the shaved head with the beard. They are different surfaces built on the alabaster figure; The seat represented is not a fiber piece of furniture that has come down to us. The Louvre believes that eyebrows and beard must also have received inlays. Looking at these areas allows us to recognize a work whose original combination of materials was more extensive than the one preserved.

Where it is held

Musee du Louvre, Paris

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

Musee du Louvre

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

Did you enjoy this exhibit?

Your opinion helps us improve the museum. You can change it whenever you like.

Loading your rating…