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Sumeria · Archaic Dynastic I–II

Worshiper of Tell Asmar

A worshiper before divinity

Hands together and eyes wide open on a figure less than thirty centimeters tall.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · The Metropolitan Museum of Art, New York · CC0 1.0 / Met Open Access

Documentary original · Exact correspondence

Photograph of the preserved original: Male worshiper from Tell Asmar.

The Metropolitan Museum of Art · The Metropolitan Museum of Art, New York · Inventory: 40.156 · CC0 1.0 / Met Open Access

Photograph of the preserved original: Male worshiper from Tell Asmar.
PHOTOGRAPH OF THE ORIGINAL · The Metropolitan Museum of Art, New York · CC0 1.0 / Met Open Access

Documentary original · Exact correspondence

Photograph of the preserved original: Male worshiper from Tell Asmar.

The Metropolitan Museum of Art · The Metropolitan Museum of Art, New York · Inventory: 40.156 · CC0 1.0 / Met Open Access

History and context

The figure maintains a posture of attention, with his hands joined and his gaze highlighted by inlays. His eyes did not come from just carving a stone: the sculptor combined materials to make them visible.

The museum interprets her as a worshiper, a dedicated presence before divinity. We do not know a name that would allow it to become a specific king. Its small scale reminds us that religion was also expressed through objects that fit close to a person, not only in large buildings.

Evidence and interpretation

Votive statue of 29,5 cm. The attribution of the temple to Abu is possible, not certain; Nor is this figure identified as a proven portrait of a god.

Catalogue facts

Date of piece
Towards 2900–2600 BCE
Culture and period
Sumeria · Archaic Dynastic I–II
Provenance
Square Temple of Eshnunna / Tell Asmar, Iraq
Material
Gypsum alabaster, shell, black limestone and bitumen
Inventory
40.156

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Stone19 dated objects

11 / 19In the centre: Worshiper of Tell Asmar

Also connected, without a comparable date (10)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

To remain before a god without being there

According to the Met's interpretation, the statue was to pray continuously on behalf of the person represented. It was not simply a souvenir of a visit: its material presence prolonged that of the dedicator within the temple. The museum places this idea in a world where divine images could also be understood as effective presences. It is important to distinguish the functions: this figure represents a worshiper, not a cult statue safely identified with the god of the sanctuary.

Where it is held

The Metropolitan Museum of Art, New York

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The Metropolitan Museum of Art

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

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