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Neo-Assyria

Ashurbanipal Hunt

Ashurbanipal on the lion hunt

The palace showed the king defeating a dangerous animal.

Museum documentation · free public access, no account required.

PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 3.0

Documentary original · Exact correspondence

Photograph of the original reliefs from the Asurbanipal hunt: detail of the panel set 22–25, room C, BM 124852–124855. Chariot, king and lions visible; It does not show all the ends of the slabs.

Ealdgyth · British Museum, London · Inventory: BM 124852–124855 · paneles 22–25, sala C · CC BY-SA 3.0

Photograph of the original reliefs from the Asurbanipal hunt: detail of the panel set 22–25, room C, BM 124852–124855. Chariot, king and lions visible; It does not show all the ends of the slabs.
PHOTOGRAPH OF THE ORIGINAL · British Museum, London · CC BY-SA 3.0

Documentary original · Exact correspondence

Photograph of the original reliefs from the Asurbanipal hunt: detail of the panel set 22–25, room C, BM 124852–124855. Chariot, king and lions visible; It does not show all the ends of the slabs.

Ealdgyth · British Museum, London · Inventory: BM 124852–124855 · paneles 22–25, sala C · CC BY-SA 3.0

History and context

The chariot advances between lions and armed companions. The relief allows you to follow successive actions and observe how the sculptor tells a scene. It is not an isolated image: it is part of a sequence that decorated the palace of Ashurbanipal.

Royal hunting was also an assertion of authority. Showing the monarch in the face of danger helped present his ability to protect and dominate. We can admire the observation of the animals and, at the same time, recognize the political intention of the whole.

Evidence and interpretation

The photograph shows a detail of the set of panels 22–25, BM 124852–124855. The linked individual tab documents panel 22; Do not confuse it with other famous reliefs from the same hunt.

Catalogue facts

Date of piece
645–635 BCE
Culture and period
Neo-Assyria
Provenance
North Palace of Nineveh, Iraq · room C
Material
relief carved plaster
Inventory
BM 124852–124855 · panels 22–25

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Stone19 dated objects

15 / 19In the centre: Ashurbanipal Hunt

Also connected, without a comparable date (10)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

One sequence, several slabs

The inventory number allows the scenes to be distinguished although they are all known as the Ashurbanipal hunt. Shown here is a set of four panels. His narration selects and organizes what the viewer had to see: the composition of the palace is not a neutral chronicle of a hunting day.

Where it is held

British Museum, London

Item or group in the record · Documented collection

Institution that preserves the piece; Check with the museum about its availability to visit.

The British Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Consult the part documentation

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