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09 · OBJECT · ROYAL CEMETERY

Standard of Ur

War and banquet in a wooden box

Its two sides show scenes of war and banquets with soldiers, captives and musicians.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

Specific historical reenactment of War and banquet in a wooden box, Ur, Iraq, ca. 2600–2400 BCE.
DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

History and context

The so-called Banner of Ur is not necessarily a banner: it is a wooden box decorated with shell, red limestone and lapis lazuli. Its panels contrast a scene of conflict with another of a banquet.

The object forces a change of scale. Violence and celebration are not separate episodes, but rather two visual records of the same social hierarchy.

The box appeared crushed and its modern reconstruction relocated fragments on panels. “War” and “Peace” are useful curatorial names, not ancient titles or proof that the two sides functioned as moral opposition.

The difference in size between figures expresses rank, while cars, animals, captives, musicians, and drink connect violence with redistribution of prestige. The physical function of the object—sound box, container, or other—remains open.

Evidence and interpretation

Documented fact: The piece comes from the Royal Cemetery of Ur and presents mosaics of war and peace; Its original function is unknown. Interpretation and caution: Interpreting the figures as a specific historical campaign or the largest figure as a king are proposals, not sure identifications. Documented extension: The object comes from tomb PG 779 and preserves a mosaic of shell, lapis lazuli and red limestone on a core originally made of wood. Interpretation and expanded caution: The name “Standard” and its function are modern; Neither the identity of the largest figure nor a specific battle is known.

Catalogue facts

Narrative date
ca. 2600–2400 BCE
Location
Ur, Iraq
Material
Wood, shell, red limestone and lapis lazuli
Context
Elite funerary object
Curatorial reading
The documented fact and its interpretation appear separately in the evidence block.
Conservation
Lost wood core and mosaic reconstructed from fragments.
two faces
Conventionally called “War” and “Peace”.
Function
Unknown.
Documentary coverage
2 museum, heritage, primary corpus or research sources for this stop.
In this grouping
Images of war and banquet. The name "banner" does not prove that the box was a military insignia.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Wood13 dated objects

5 / 13In the centre: Standard of Ur

Also connected, without a comparable date (4)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

The extremes also belong to the story

The piece is decorated on all four sides: in addition to the two long panels, it preserves scenes at the triangular ends. The usual name focuses attention on war and banquet, but its shape required moving around the object to see all the decoration. In the war aspect, the cars combine a driver and another armed occupant; The captives appear naked, a resource that expresses humiliation within the image. These details help read the work as a composition organized to show power differences.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

LOCATED SITE

Ur · IraqMarker for Tell el-Muqayyar and its necropolis.

Where it is held

The British Museum

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Expand this information and consult its sources

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