101–125 CE · BRONZE · ROMAN VILLA
Torreáguila fountain spout
A Mask That Made Water Speak
The form recalls the theatre; its certain function was to conduct water.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.
History and context
The bronze takes the form of a face or mask and was designed as a fountain spout. Water passed through the image, turning a hydraulic installation into a decorative presence.
The relation to theatrical masks is iconographic, not proof that it came from a theatre building or represented a specific character.
Evidence and interpretation
Material, date, fountain function, provenance and inventory are documented. Precise theatrical identification is interpretation.
Catalogue facts
- Date
- 101–125 CE
- Location
- Roman Villa of Torreáguila · Barbaño, Badajoz
- Inventory
- MNAR CE36422
- Function
- Fountain Spout
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Bronze23 dated objects

c. sixteenth century BCE
Jue
Ancient China
Approximate dating according to the record.
Read the record
c. 1600–1450 BCE
Bull-leaping
Greek worlds
The iconography does not by itself determine a precise ritual.
Read the record
ca. 1200 BCE
Fu Hao’s burial goods
Ancient China
Approximate date of the grave goods; their objects have different histories.
Read the record
12th–11th centuries BCE
Liding
Ancient China
Approximate dating according to the record.
Read the record
≈1200–1000 BCE · destruction of the talayot towards 790 BCE
Talayotic sword
Iberians
Proposed date of the sword, not of the later destruction of the talayot.
Read the record
c. 848 BCE
Tribute to Assyria
Phoenicians
Approximate date of the historical scene represented.
Read the record
ca. 850–800 BCE
Before Etruscans and Rome
Etruscans and Rome
Approximate dating according to the record.
Read the record
Towards 1000–400 BCE
The lute-shaped dagger
Gojoseon and early Korea
Typological framework of daggers; not a single manufacturing date.
Read the record
c. 721–664 BCE
Kushite king
Nubia, Kerma and Kush
Interval attributed to the specimen in the catalogue.
Read the record
≈530–500 BCE
The great Greek krater of Vix
Greek worlds
Approximate dating according to the record.
Read the record
6th–5th centuries BCE
Scorțaru cauldron
Thracians
Approximate dating according to the record.
Read the record
c. 500 BCE
Vix Tomb
Celtic worlds
Approximate date of the funerary assemblage.
Read the record
4th–3rd centuries BCE
Yan knife-money in the Gojoseon sphere
Ancient China
Approximate dating according to the record.
Read the record
323–222 BCE
A coin with the memory of a blade
Gojoseon and early Korea
The knife form does not imply that the coin is a weapon.
Read the record
5th–1st centuries BCE
The blade became straight
Gojoseon and early Korea
Typological framework of production and deposits.
Read the record
3rd–2nd centuries BCE
Geometry in very fine lines
Gojoseon and early Korea
Approximate dating according to the record.
Read the record
3rd–2nd centuries BCE
Eight voices in one hand
Gojoseon and early Korea
Approximate dating according to the record.
Read the record
Around 350–50 BCE
The Shield that Did Not Fight
Celtic worlds
Prestige object; actual combat use is not presupposed.
Read the record
≈300–100 BCE
Fibula from Lancia
Iberians
Approximate dating according to the record.
Read the record
End of the second–beginning of the first century BCE
A sky over the liver
Etruscans and Rome
The centuries II–I BCE are used in their full extent as an external ordering framework; the record specifies the end of the II and the beginning of the I.
Read the record
First third of the 1st century BCE
Hand of Irulegui
Iberians
First third of the 1st century BCE; date of the destroyed dwelling beside whose entrance it appeared.
Read the record
Buried towards the 1st century BCE–1st century CE
Thirty-nine buried bells
Yayoi Japan
Date of burial of the set; not manufacture of each bell.
Read the record
You are viewing101–125 CE
Torreáguila fountain spout
Etruscans and Rome
Approximate dating according to the record.
Current record
Also connected, without a comparable date (6)
These objects are not placed after the others: an unknown date does not mean a more recent object.
- Daegok-ri grave goodsGojoseon and early Korea · from c. 5th century BCE
- Early metallurgyAncient China · c. 1900–1500 BCE
- Four offerersIberians · Iberian period · individual dating according to catalogue
- Iron changes the frontierGojoseon and early Korea · 3rd–2nd centuries BCE
- The workshop inside the ditchYayoi Japan · 4th century BCE–3rd century CE, peak in Middle and Late Yayoi
- Weapons under the LakeCeltic worlds · Mainly 3rd–1st centuries BCE
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A Represented Mask Was Not Always a Usable Mask
For comparison, a Roman stone dramatic mask in the British Museum was formerly interpreted as an object an actor would have worn. The current catalogue rejects that reading due to its weight and places it among theatrical ornaments that could be hung as decoration. This distinction helps in viewing the Torre Águila fountain: recognising theatrical features is not enough to reconstruct use on the face. Material, dimensions and the water passage or fixation system provide functional information that must be studied alongside iconography, not subordinated to it.
- Museum · British Museum · Dramatic mask made of stone, 1772,0301.10Access recorded: .
Location and territory
LOCATED SITE
Roman Villa of Torreáguila · BadajozApproximate Marker of the Roman Villa.Where it is held
The holding institution is documented; public display may change. Check its official record before visiting.
Sources and references
Did you enjoy this exhibit?
Your opinion helps us improve the museum. You can change it whenever you like.
Loading your rating…