10 · OBJECT · SHANG RITUAL
Liding
A cauldron for feeding the ancestors
Bronze ding vessels contained food offered to ancestors.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.
History and context
Shang bronze tripod dings contained food offerings in ceremonies related to ancestors. Their legs, handles and decoration make the vessel at once tool, image and signal of resources.
The label avoids translating each animal mask as a named monster. Their meanings remain debated; what is certain is their role within elite ritual practices.
The liding combines a cauldron body and three lobed legs derived from ceramic forms. It contained food offered in ancestral ceremonies.
Its bronze concentrated labour and authority, but it was also an active vessel. Soot, residues and inscriptions can distinguish use, dedication and transmission.
Evidence and interpretation
Documented fact: The Met dates this liding to the 12th–11th centuries BCE and explains that the form derives from ceramic prototypes and was used for food offerings in ancestral worship. Interpretation and caution: The specific meaning of the taotie motifs and of each ritual set is not definitively known. Documented expansion: The Met dates its liding to the 12th–11th centuries BCE and explains its relation to food offerings and ceramic prototypes; it does not indicate an exact provenance. Expanded interpretation and caution: The exact meaning of the taotie and the correspondence between form and rank are neither universal nor fixed.
Catalogue facts
- Narrative date
- 12th–11th centuries BCE
- Location
- China; exact provenance not indicated
- Material
- Cast bronze in piece moulds
- Context
- Ancestral ritual
- Curatorial reading
- The documented fact and its interpretation appear separately in the evidence block.
- Function
- Food offerings in ancestral ritual
- Technique
- Casting in piece moulds
- Documentary coverage
- 2 museum, heritage, primary corpus or research sources for this stop.
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Bronze23 dated objects

c. sixteenth century BCE
Jue
Ancient China
Approximate dating according to the record.
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c. 1600–1450 BCE
Bull-leaping
Greek worlds
The iconography does not by itself determine a precise ritual.
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ca. 1200 BCE
Overlapping datesFu Hao’s burial goods
Ancient China
Approximate date of the grave goods; their objects have different histories.
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You are viewing12th–11th centuries BCE
Liding
Ancient China
Approximate dating according to the record.
Current record
≈1200–1000 BCE · destruction of the talayot towards 790 BCE
Overlapping datesTalayotic sword
Iberians
Proposed date of the sword, not of the later destruction of the talayot.
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c. 848 BCE
Tribute to Assyria
Phoenicians
Approximate date of the historical scene represented.
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ca. 850–800 BCE
Before Etruscans and Rome
Etruscans and Rome
Approximate dating according to the record.
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Towards 1000–400 BCE
The lute-shaped dagger
Gojoseon and early Korea
Typological framework of daggers; not a single manufacturing date.
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c. 721–664 BCE
Kushite king
Nubia, Kerma and Kush
Interval attributed to the specimen in the catalogue.
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≈530–500 BCE
The great Greek krater of Vix
Greek worlds
Approximate dating according to the record.
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6th–5th centuries BCE
Scorțaru cauldron
Thracians
Approximate dating according to the record.
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c. 500 BCE
Vix Tomb
Celtic worlds
Approximate date of the funerary assemblage.
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4th–3rd centuries BCE
Yan knife-money in the Gojoseon sphere
Ancient China
Approximate dating according to the record.
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323–222 BCE
A coin with the memory of a blade
Gojoseon and early Korea
The knife form does not imply that the coin is a weapon.
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5th–1st centuries BCE
The blade became straight
Gojoseon and early Korea
Typological framework of production and deposits.
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3rd–2nd centuries BCE
Geometry in very fine lines
Gojoseon and early Korea
Approximate dating according to the record.
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3rd–2nd centuries BCE
Eight voices in one hand
Gojoseon and early Korea
Approximate dating according to the record.
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Around 350–50 BCE
The Shield that Did Not Fight
Celtic worlds
Prestige object; actual combat use is not presupposed.
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≈300–100 BCE
Fibula from Lancia
Iberians
Approximate dating according to the record.
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End of the second–beginning of the first century BCE
A sky over the liver
Etruscans and Rome
The centuries II–I BCE are used in their full extent as an external ordering framework; the record specifies the end of the II and the beginning of the I.
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First third of the 1st century BCE
Hand of Irulegui
Iberians
First third of the 1st century BCE; date of the destroyed dwelling beside whose entrance it appeared.
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Buried towards the 1st century BCE–1st century CE
Thirty-nine buried bells
Yayoi Japan
Date of burial of the set; not manufacture of each bell.
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101–125 CE
Torreáguila fountain spout
Etruscans and Rome
Approximate dating according to the record.
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Also connected, without a comparable date (6)
These objects are not placed after the others: an unknown date does not mean a more recent object.
- Daegok-ri grave goodsGojoseon and early Korea · from c. 5th century BCE
- Early metallurgyAncient China · c. 1900–1500 BCE
- Four offerersIberians · Iberian period · individual dating according to catalogue
- Iron changes the frontierGojoseon and early Korea · 3rd–2nd centuries BCE
- The workshop inside the ditchYayoi Japan · 4th century BCE–3rd century CE, peak in Middle and Late Yayoi
- Weapons under the LakeCeltic worlds · Mainly 3rd–1st centuries BCE
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
The strength of metal changes the inherited form
The Metropolitan’s explanation contrasts the bulging legs of ceramic vessels with the more rigid and geometric solution made possible by bronze. In the liding one can follow that negotiation between a tradition of known forms and the possibilities of a different material. The comparison avoids seeing the cauldron merely as a repertoire of symbols: there were also decisions of structure, support and volume. The metal did not immediately erase the memory of ceramics; it allowed reworking and turning it into a lasting presence within the ritual service.
Where it is held
The Metropolitan Museum of Art
Item or group in the record · Documented collection
The holding institution is documented; public display may change. Check its official record before visiting.
Sources and references
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