06 · OBJECT · EARLY SHANG
Jue
Three legs for heating ritual wine
This three-legged vessel was used to heat or serve wine in ceremonies.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction; not a photograph of the original nor documentary evidence.
History and context
The jue is a tripod vessel for heating or serving wine. Its thin walls and angular forms show how founders reinterpreted ceramic prototypes in metal.
The object relates technique and ceremony without reducing it to luxury. An offering vessel participated in ancestral practices and in the authority of those who could mobilise its production.
The Met’s jue preserves thin walls, three legs and handles, and formally refers to ceramic prototypes. Its stability depended on a carefully calculated geometry.
It is called a wine warmer or pourer, but the exact sequence of use may vary. Residue, soot and context are better guides than the catalogue name.
Evidence and interpretation
Documented fact: The Met dates a Shang jue to the sixteenth century BCE and explains its formal relation to early metal techniques. Interpretation and caution: The hypothesis of Western influences for a concrete form is not a consensus on the origin of all Chinese metallurgy. Expanded documented fact: The Met dates its jue to the sixteenth century BCE and relates it to early bronze technology. Expanded interpretation and caution: “Wine” designates fermented cereal beverages, not modern grape wine, and not every jue was heated directly.
Catalogue facts
- Narrative date
- c. sixteenth century BCE
- Location
- China
- Material
- Cast bronze
- Context
- Ritual tableware
- Curatorial reading
- The documented fact and its interpretation appear separately in the evidence block.
- Form
- Tripod vessel with spout and tail
- Met date
- Sixteenth century BCE
- Documentary coverage
- 2 museum, heritage, primary corpus or research sources for this stop.
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Bronze23 dated objects
You are viewingc. sixteenth century BCE
Jue
Ancient China
Approximate dating according to the record.
Current record
c. 1600–1450 BCE
Overlapping datesBull-leaping
Greek worlds
The iconography does not by itself determine a precise ritual.
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ca. 1200 BCE
Fu Hao’s burial goods
Ancient China
Approximate date of the grave goods; their objects have different histories.
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12th–11th centuries BCE
Liding
Ancient China
Approximate dating according to the record.
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≈1200–1000 BCE · destruction of the talayot towards 790 BCE
Talayotic sword
Iberians
Proposed date of the sword, not of the later destruction of the talayot.
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c. 848 BCE
Tribute to Assyria
Phoenicians
Approximate date of the historical scene represented.
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ca. 850–800 BCE
Before Etruscans and Rome
Etruscans and Rome
Approximate dating according to the record.
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Towards 1000–400 BCE
The lute-shaped dagger
Gojoseon and early Korea
Typological framework of daggers; not a single manufacturing date.
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c. 721–664 BCE
Kushite king
Nubia, Kerma and Kush
Interval attributed to the specimen in the catalogue.
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≈530–500 BCE
The great Greek krater of Vix
Greek worlds
Approximate dating according to the record.
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6th–5th centuries BCE
Scorțaru cauldron
Thracians
Approximate dating according to the record.
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c. 500 BCE
Vix Tomb
Celtic worlds
Approximate date of the funerary assemblage.
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4th–3rd centuries BCE
Yan knife-money in the Gojoseon sphere
Ancient China
Approximate dating according to the record.
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323–222 BCE
A coin with the memory of a blade
Gojoseon and early Korea
The knife form does not imply that the coin is a weapon.
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5th–1st centuries BCE
The blade became straight
Gojoseon and early Korea
Typological framework of production and deposits.
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3rd–2nd centuries BCE
Geometry in very fine lines
Gojoseon and early Korea
Approximate dating according to the record.
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3rd–2nd centuries BCE
Eight voices in one hand
Gojoseon and early Korea
Approximate dating according to the record.
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Around 350–50 BCE
The Shield that Did Not Fight
Celtic worlds
Prestige object; actual combat use is not presupposed.
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≈300–100 BCE
Fibula from Lancia
Iberians
Approximate dating according to the record.
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End of the second–beginning of the first century BCE
A sky over the liver
Etruscans and Rome
The centuries II–I BCE are used in their full extent as an external ordering framework; the record specifies the end of the II and the beginning of the I.
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First third of the 1st century BCE
Hand of Irulegui
Iberians
First third of the 1st century BCE; date of the destroyed dwelling beside whose entrance it appeared.
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Buried towards the 1st century BCE–1st century CE
Thirty-nine buried bells
Yayoi Japan
Date of burial of the set; not manufacture of each bell.
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101–125 CE
Torreáguila fountain spout
Etruscans and Rome
Approximate dating according to the record.
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Also connected, without a comparable date (6)
These objects are not placed after the others: an unknown date does not mean a more recent object.
- Daegok-ri grave goodsGojoseon and early Korea · from c. 5th century BCE
- Early metallurgyAncient China · c. 1900–1500 BCE
- Four offerersIberians · Iberian period · individual dating according to catalogue
- Iron changes the frontierGojoseon and early Korea · 3rd–2nd centuries BCE
- The workshop inside the ditchYayoi Japan · 4th century BCE–3rd century CE, peak in Middle and Late Yayoi
- Weapons under the LakeCeltic worlds · Mainly 3rd–1st centuries BCE
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A cast form that resembles a folded sheet
The Metropolitan Museum draws attention to the apparently folded rim, the strap-like handle and the angular geometry of this jue. From these features it proposes that some formal antecedents may have been related to hammered metal vessels, perhaps arriving from western Asia. This is a hypothesis about the history of the form, not a demonstrated foreign provenance for the piece. The detail is useful precisely because it separates appearance and manufacture: an object cast in a mould can retain visual solutions associated with another technique.
Where it is held
The Metropolitan Museum of Art
Item or group in the record · Documented collection
The holding institution is documented; public display may change. Check its official record before visiting.
Sources and references
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