10 · Portable sculpture · Ritual image
Las Limas The youth holding a transformed creature
A young figure holds a smaller one and bears four faces incised on shoulders and knees.
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History and context Evidence and facts Objects connected through time Further reading Where it is held Sources and references Comments Museum documentation · free public access, no account required.
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Main image 2 DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.
View full image: DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.
View full image: Detail of the original · Face and torso of Señor de Las Limas Detail of the original · Face and torso of Señor de Las Limas Documentary original · Exact correspondence
Documentary photograph published in Wikimedia Commons. The distinction from the main recreation is maintained. Web adaptation: size and format adjustment, without reconstructing parts or changing the photograph's content.
Photograph of Señor de Las Limas conserved in the MAX of the Universidad Veracruzana.
ProtoplasmaKid · Museum of Antropología de Xalapa · CC BY-SA 4.0
History and context The sculpture known as Señor de Las Limas shows a youthful figure seated with another, small and flaccid, upon the legs. On shoulders and knees appear supernatural profiles incised, almost secret until raking light reveals them.
The posture may evoke presentation, custody, death or transformation, but calling it 'sacrifice of a baby-jaguar' turns modern categories into certainty. The work matters because it brings together tenderness and strangeness without resolving them.
The larger figure remains seated and holds upon its legs a smaller body of flaccid posture. The contrast between physical care and visual unease makes the scene resist simple explanations of sacrifice, presentation or mourning.
Four supernatural profiles are incised on shoulders and knees with lines that frontal lighting can erase. The work asked for proximity, turning and mobile light; that material experience matters as much as the modern nicknames 'Lord' and 'baby-jaguar'.
Evidence and interpretation Documented fact: the greenstone piece was found at Las Limas and bears four incised profiles in addition to two main figures. Interpretation and caution: names such as “Lord of Las Limas” or “jaguar baby” are modern labels; the identity, gender, action and mythical narrative have not been deciphered.
Additional documented evidence: the greenstone sculpture found at Las Limas combines two main figures with four supernatural profiles engraved on the limbs of the larger figure.
Further interpretation and caution: the title, gender and identity of the seated figure have not been established, nor has it been shown that the smaller body represents a child, a deity, a victim or a feline hybrid.
Catalogue facts
Narrative date c. 1000–600 BCE
Location Las Limas, Veracruz, Mexico
Material Polished and incised green stone
Context Visual narrative, body and supernatural beings
Curatorial reading The documented fact and its interpretation appear separately in the evidence block.
Evidence Archaeological context, materiality and chronology.
Caution Do not convert stylistic diffusion or contact into political domination.
Documentary coverage 4 museum, heritage, primary corpus or research sources for this stop. Greenstone8 Sculpture54 Human imagery73 Engraving27
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3 / 8 In the centre: Las Limas
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Sculpture Lion-man · ≈40,000 years · Aurignacian · PrehistoryLespugue · ≈28,000 years · PrehistoryZaraysk Bison · ≈23,000–21,000 years · PrehistoryShigir Idol · C. 10,000 BCE · approximation; debated dating · PrehistoryWarka Mask · End of the 4th millennium BCE · SumerGebel el-Arak knife · 3600–3200 BCE · Naqada II C–D · Ancient EgyptUruk Vase · ca. 3300–3000 BCE · SumerNarmer Palette · ca. 3100 BCE · Ancient EgyptBefore Yayoi · Middle Jōmon, ca. 3000 BCE · Yayoi JapanUr-Nanshe relief · Mid-3rd millennium BCE · reign of Ur-Nanshe · SumerThe goat from PG 1237 · ca. 2600–2400 BCE · SumerStele of the Vultures · Towards 2450–2425 BCE · SumerAkkadian sovereign head · Akkadian period · 23rd century BCE · SumerBassetki Statue · Akkadian period · 23rd century BCE · SumerNaram-Sin Stele · Reign of Naram-Sin, 2254–2218 BCE · SumerBefore Pre-Inca Cultures · Kotosh-Mito Tradition, c. 2200–1500 BCE; the enclosure is usually situated around 1800 BCE. · Pre-Inca culturesQueen of the Night · 19th–18th centuries BCE · SumerBull-leaping · c. 1600–1450 BCE · Greek worldsWooden faces · c. 1600–1000 BCE, in several phases · Maya worldsHead 2 · c. 1200–900 BCE · Maya worldsThe voice of Ahiram · c. 11th–10th century BCE · PhoeniciansBefore the Scythians and Sakas · Final Bronze–Initial Iron, ca. 1200–600 BCE · Scythians and SakaBlack Obelisk · 825 BCE · SumerIvory in Nimrud · 9th–8th centuries BCE · PhoeniciansLas Limas · c. 1000–600 BCE · Maya worlds — You are viewingAstarte from El Carambolo · 8th century BCE · PhoeniciansAstarte from El Carambolo · 8th century BCE · IberiansLamassu of Khorsabad · Reign of Sargon II · 721–705 BCE · SumerThe Lanzón · c. 900–500 BCE · Pre-Inca culturesStele of Esarhaddon · 7th century BC C. · 671 campaign BCE · SumerThe so-called ‘Priest of Cádiz’ · 7th century BCE · PhoeniciansThe so-called ‘Priest of Cádiz’ · 7th century BCE · IberiansThe Tello Obelisk · c. 800–500 BCE · Pre-Inca culturesAshurbanipal Hunt · 645–635 BCE · SumerHeads on the wall · c. 800–300 BCE · Pre-Inca culturesTwo voices in an urn · 530–520 BCE · Etruscans and RomeThe god on the roof · Towards 510–500 BCE · Etruscans and RomeGlazed brick guards · 522–486 BCE · Achaemenid PersiaTwenty-three delegations · 6th–5th centuries BCE, mainly under Darius and Xerxes · Achaemenid PersiaSarcophagus of Eshmunazar · first quarter of the 5th century BCE · PhoeniciansThe statue was the urn · First half of the 4th century BCE · IberiansThe Raimondi Stele · c. 400–200 BCE according to MNAAHP · Pre-Inca culturesTorreáguila fountain spout · 101–125 CE · Etruscans and RomeThe date of 292 · 292 CE · Maya worldsArticulated doll from Tarragona · Late 3rd–4th century CE · Etruscans and RomeSeven heads · c. 500–700 CE · Bantu-speaking worldsSeated figure · 13th century, date attributed by the museum · Mande WorldsGold rhinoceros · ca. 1220–1290; found in 1933 · Bantu-speaking worldsZimbabwe birds · main period of Great Zimbabwe, c. 12th–15th centuries · Bantu-speaking worldsKongo crucifix · 16th–17th centuries · Bantu-speaking worldsKuba ndop · ca. 1760 · Bantu-speaking worldsWithout a comparable date (not part of the chronological order):
Before Persia · Central core c. seventeenth century BCE; Neo-Elamite additions between the ninth and sixth centuries BCE · Achaemenid PersiaLararium of Vilauba · Roman period · Etruscans and RomeThe Thracian Horseman · Roman era · diffusion especially in the 2nd–3rd centuries CE · ThraciansHuman imagery Lion-man · ≈40,000 years · Aurignacian · PrehistoryHohle Fels · ≈40,000 years · Aurignacian · PrehistoryWillendorf · ≈29,500 years · PrehistoryBrno II Articulated Figure · ≈28,000 years cal BP · by funerary association · PrehistoryDolní Věstonice I · ≈29,000–27,000 years · PrehistoryLespugue · ≈28,000 years · PrehistoryKostenki I · ≈23,000–21,000 years · PrehistoryShigir Idol · C. 10,000 BCE · approximation; debated dating · PrehistoryNahal Hemar mask · Eighth millennium BCE · context dating, not direct dating of the stone · PrehistoryEl Miradero spatula-idols · ≈4000–3800 cal BCE · PrehistoryWarka Mask · End of the 4th millennium BCE · SumerCueva de las Manos · Sequence ≈9300–1300 BP · PrehistoryUruk Vase · ca. 3300–3000 BCE · SumerWorshiper of Tell Asmar · Towards 2900–2600 BCE · SumerStandard of Ur · ca. 2600–2400 BCE · SumerStatue of Ebih-Il · Towards 2400 BCE · SumerAkkadian sovereign head · Akkadian period · 23rd century BCE · SumerBassetki Statue · Akkadian period · 23rd century BCE · SumerBefore Pre-Inca Cultures · Kotosh-Mito Tradition, c. 2200–1500 BCE; the enclosure is usually situated around 1800 BCE. · Pre-Inca culturesQueen of the Night · 19th–18th centuries BCE · SumerBull-leaping · c. 1600–1450 BCE · Greek worldsWooden faces · c. 1600–1000 BCE, in several phases · Maya worldsHead 2 · c. 1200–900 BCE · Maya worldsIvory in Nimrud · 9th–8th centuries BCE · PhoeniciansLas Limas · c. 1000–600 BCE · Maya worlds — You are viewingAstarte from El Carambolo · 8th century BCE · PhoeniciansAstarte from El Carambolo · 8th century BCE · IberiansLamassu of Khorsabad · Reign of Sargon II · 721–705 BCE · SumerThe Lanzón · c. 900–500 BCE · Pre-Inca culturesOffering 4 · c. 800–600 BCE · Maya worldsKushite king · c. 721–664 BCE · Nubia, Kerma and KushThe so-called ‘Priest of Cádiz’ · 7th century BCE · PhoeniciansThe so-called ‘Priest of Cádiz’ · 7th century BCE · IberiansHeads on the wall · c. 800–300 BCE · Pre-Inca culturesShabti of Psamtek · 570–526 BCE · Ancient EgyptTwo voices in an urn · 530–520 BCE · Etruscans and RomeThe god on the roof · Towards 510–500 BCE · Etruscans and RomeGlazed brick guards · 522–486 BCE · Achaemenid PersiaTwenty-three delegations · 6th–5th centuries BCE, mainly under Darius and Xerxes · Achaemenid PersiaBanquet under leopards · Around 480–470 BCE · Etruscans and RomeThe statue was the urn · First half of the 4th century BCE · IberiansA battle on a comb · Early 4th century BCE · Scythians and SakaThe Kul-Oba vase · 4th century BCE · Greek worldsThe Solokha gold comb · 4th century BCE · Greek worldsFaces of the Steppe · Second half of the 4th century BCE · Scythians and SakaLady of Ibiza · 4th–3rd centuries BCE · PhoeniciansPunic head pendant · Mid 4th–3rd centuries BCE · PhoeniciansLady of Ibiza · 4th–3rd centuries BCE · IberiansThe Raimondi Stele · c. 400–200 BCE according to MNAAHP · Pre-Inca culturesChão de Lamas pectoral · 3rd–2nd centuries BCE · concealed in the early 1st century BCE · IberiansVas dels Guerrers · 3rd–early 2nd century BCE · IberiansWarriors' Vase · 3rd–2nd centuries BCE · IberiansThe dismantled cauldron · 2nd–1st centuries BCE · Celtic worldsThe walls of San Bartolo · c. 100 BCE · Maya worldsGladiators Cup of Chavagnes · 25–75 CE · Etruscans and RomeThracian Gladiator from Cádiz · 67–100 CE · Etruscans and RomeTorreáguila fountain spout · 101–125 CE · Etruscans and RomeArticulated doll from Tarragona · Late 3rd–4th century CE · Etruscans and RomeSeven heads · c. 500–700 CE · Bantu-speaking worldsSeated figure · 13th century, date attributed by the museum · Mande WorldsKongo crucifix · 16th–17th centuries · Bantu-speaking worldsKuba ndop · ca. 1760 · Bantu-speaking worldsWithout a comparable date (not part of the chronological order):
Before Persia · Central core c. seventeenth century BCE; Neo-Elamite additions between the ninth and sixth centuries BCE · Achaemenid PersiaBhimbetka · Mesolithic–historical and medieval period · PrehistoryEland Cave · Regional tradition of ≈4,000 years · up to historical period · PrehistoryFour offerers · Iberian period · individual dating according to catalogue · IberiansGame Pass Shelter · Regional rock art chronology · panel not dated in isolation · San historiesLararium of Vilauba · Roman period · Etruscans and RomeLeang Karampuang · Minimum 51,200 years · dating published in 2024 · PrehistoryQuinkan Country · Regional art up to ≈27,000 BP · modern continuity · PrehistorySierra de San Francisco · Broad tradition with direct dates ≈5290–295 BP · PrehistoryTassili n’Ajjer · Corpus ≈6000 BCE–first centuries CE · PrehistoryThe Thracian Horseman · Roman era · diffusion especially in the 2nd–3rd centuries CE · ThraciansEngraving Engraved ochre from Blombos · ≈77,000–75,000 years · PrehistoryAltamira · Assemblage ≈36,000–13,000 BP · bison ≈18,400–15,300 cal BP · PrehistoryLascaux · ≈23,500–21,000 cal BP · debated contextual estimate · PrehistoryRondelle de Mas-d'Azil · ≈18,000–16,000 years · PrehistoryLamp from La Mouthe · ≈20,500–13,000 years · Magdalenian framework · PrehistoryEngraved stone from Çakmaktepe · PPNA · site proposal: ≈9600–8800 BCE, provisional · PrehistoryTwin-chambered vessel from Cova de l’Or · Early Neolithic · VI–V millennia BCE · PrehistoryBefore Nubia · V–IV millennium BCE · Nubia, Kerma and KushBefore Gojoseon · Middle Neolithic, c. 4000 BCE · Gojoseon and early KoreaCylinder seal · c. 3500–3100 BCE · SumerGuadancil idol-plaque · 3750–2500 cal BCE · IberiansStaff of Anta 4 · Late 4th–first half of the 3rd millennium BCE. · PrehistoryLinear A · c. 1700–1500 BCE · Greek worldsThe Cascajal Block · Proposed c. 1000–900 BCE · Maya worldsLas Limas · c. 1000–600 BCE · Maya worlds — You are viewingMotagua jade · c. 900–600 BCE · Maya worldsThe Tello Obelisk · c. 800–500 BCE · Pre-Inca culturesTwenty-six voiceless signs · 5th–4th centuries BCE · Scythians and SakaThe Raimondi Stele · c. 400–200 BCE according to MNAAHP · Pre-Inca culturesDove of the Amarejo · 3rd century BCE · IberiansUrewe vessel · regional range c. 800 BCE–650 CE · Bantu-speaking worldsLukasa · 19th–20th centuries · Bantu-speaking worldsWithout a comparable date (not part of the chronological order):
A closer look About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: September 5, 2026 .
A piece recovered after theft The modern history of Señor de Las Limas includes a chance find in 1965, when two children used the part protruding from the ground to break coyoles. When trying to take it home they recognised it was no ordinary stone. Stolen from the old Museo de Antropología de Xalapa in 1970, it turned up two years later in a motel in San Antonio, Texas, and returned to the museum through the efforts of Gonzalo Aguirre Beltrán. The Universidad Veracruzana recalls this trajectory to explain its custody. Recovering it allowed renewed study, but did not restore the lost archaeological context from its initial extraction.
Where it is held Item or group in the record · Documented collection
Universidad Veracruzana publication that identifies and locates the sculpture in the MAX; no permanent specific room is presupposed.
The holding institution is documented; public display may change. Check its official record before visiting.
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