09 · Green stone · Mesoamerican networks
Motagua jade
An axe that never struck, transformed into a maize sprout
Jadeite from the Motagua valley travelled long distances and required much work to carve and polish.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.
History and context
Jadeite came from the Motagua valley, in present-day Guatemala, and required prolonged abrasion, drilling and polishing. A large celt could retain the silhouette of a tool, although its edge and delicate design set it apart from everyday work.
In the Met piece, a supernatural profile and a sprout emerge from the upper cleft. The reading links green stone, maize and renewal; when these celts were buried, the image of a mineral seed gained strength without needing to be seen.
The celt form preserves the memory of a tool, but the polishing, drilling and incision shift this piece into the ceremonial realm. Its surface turned an extremely hard material into a support for a supernatural silhouette and a sprout emerging from the cleft.
Jadeite geologically originates from the Motagua basin, far from the great Gulf centres. Between quarry and deposit, multiple communities could have intervened; the material route demonstrates long-distance connection without revealing a single caravan or Olmec control over the source.
Evidence and interpretation
Documented fact: Olmec jadeite was imported over long distances, and the Met celt dates to 900–600 BCE, with incised motifs that specialists associate with maize. Interpretation and caution: “maize god” is an identification based on iconographic comparison; we do not know the Olmec name or have a translation of the signs. Additional documented evidence: the Met celt, dated c. 900–600 BCE, is carved from imported jadeite and bears incised motifs compared with maize and transformation. Further interpretation and caution: “maize god” is a retrospective iconographic identification; it does not provide the being’s Olmec name or a translation of the image.
Catalogue facts
- Narrative date
- c. 900–600 BCE
- Location
- Mesoamerica; Motagua basin jadeite, Guatemala
- Material
- Carved, drilled and polished jadeite
- Context
- Long-distance exchange and agricultural symbolism
- Curatorial reading
- The documented fact and its interpretation appear separately in the evidence block.
- Evidence
- Archaeological context, materiality and chronology.
- Caution
- Do not convert stylistic diffusion or contact into political domination.
- Documentary coverage
- 4 museum, heritage, primary corpus or research sources for this stop.
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Greenstone8 dated objects

ca. 1200 BCE
Fu Hao’s burial goods
Ancient China
Approximate date of the grave goods; their objects have different histories.
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Proposed c. 1000–900 BCE
Overlapping datesThe Cascajal Block
Maya worlds
Proposed dating and discussed context; no confirmed reading of the signs.
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c. 1000–600 BCE
Overlapping datesLas Limas
Maya worlds
Approximate dating according to the record.
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c. 900–600 BCE
Overlapping datesThe invisible mosaic
Maya worlds
Approximate dating according to the record.
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You are viewingc. 900–600 BCE
Motagua jade
Maya worlds
Approximate dating according to the record.
Current record
c. 800–600 BCE
Overlapping datesOffering 4
Maya worlds
Date of the deposit of Offering 4.
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ca. 600–400 BCE
Overlapping datesLa Venta grave goods
Maya worlds
Date of the funerary assemblage.
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sealed on 28 August 683 CE
Pakal’s grave goods
Maya worlds
Date of tomb sealing; not manufacture of all grave goods pieces.
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A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
From broken edge to pendant
The current Met label identifies the piece as a celt modified to become a pendant. Its edge was dulled in antiquity and a later perforation allowed it to be suspended from a belt set. Among the incisions appears a hand separated from the body, with a knot at the wrist and details such as the thumbnail. The transformation adds a material biography to the maize motif: the object did not necessarily have a single function. Its possible graphic value is discussed by comparison, but it does not allow reading the hand as a known Olmec word.
- Museum · The Met · Modified celt-pendant with incised motifsAccess recorded: .
Where it is held
The Metropolitan Museum of Art
Item or group in the record · Documented collection
The holding institution is documented; public display may change. Check its official record before visiting.
Sources and references
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