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09 · Green stone · Mesoamerican networks

Motagua jade

An axe that never struck, transformed into a maize sprout

Jadeite from the Motagua valley travelled long distances and required much work to carve and polish.

Museum documentation · free public access, no account required.

Image 1 of 3 · Main image
DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

Image 1 of 3 · Main image
Specific historical recreation of An unhacked axe turned into a maize sprout, Mesoamerica; Motagua basin jadeite, Guatemala, c. 900–600 BCE
DECLARED VISUAL RECONSTRUCTION · EXISTING EDITORIAL RESOURCE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction for museographic context; it is not a photograph of the original nor documentary evidence.

History and context

Jadeite came from the Motagua valley, in present-day Guatemala, and required prolonged abrasion, drilling and polishing. A large celt could retain the silhouette of a tool, although its edge and delicate design set it apart from everyday work.

In the Met piece, a supernatural profile and a sprout emerge from the upper cleft. The reading links green stone, maize and renewal; when these celts were buried, the image of a mineral seed gained strength without needing to be seen.

The celt form preserves the memory of a tool, but the polishing, drilling and incision shift this piece into the ceremonial realm. Its surface turned an extremely hard material into a support for a supernatural silhouette and a sprout emerging from the cleft.

Jadeite geologically originates from the Motagua basin, far from the great Gulf centres. Between quarry and deposit, multiple communities could have intervened; the material route demonstrates long-distance connection without revealing a single caravan or Olmec control over the source.

Evidence and interpretation

Documented fact: Olmec jadeite was imported over long distances, and the Met celt dates to 900–600 BCE, with incised motifs that specialists associate with maize. Interpretation and caution: “maize god” is an identification based on iconographic comparison; we do not know the Olmec name or have a translation of the signs. Additional documented evidence: the Met celt, dated c. 900–600 BCE, is carved from imported jadeite and bears incised motifs compared with maize and transformation. Further interpretation and caution: “maize god” is a retrospective iconographic identification; it does not provide the being’s Olmec name or a translation of the image.

Catalogue facts

Narrative date
c. 900–600 BCE
Location
Mesoamerica; Motagua basin jadeite, Guatemala
Material
Carved, drilled and polished jadeite
Context
Long-distance exchange and agricultural symbolism
Curatorial reading
The documented fact and its interpretation appear separately in the evidence block.
Evidence
Archaeological context, materiality and chronology.
Caution
Do not convert stylistic diffusion or contact into political domination.
Documentary coverage
4 museum, heritage, primary corpus or research sources for this stop.

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

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Greenstone8 dated objects

5 / 8In the centre: Motagua jade

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

From broken edge to pendant

The current Met label identifies the piece as a celt modified to become a pendant. Its edge was dulled in antiquity and a later perforation allowed it to be suspended from a belt set. Among the incisions appears a hand separated from the body, with a knot at the wrist and details such as the thumbnail. The transformation adds a material biography to the maize motif: the object did not necessarily have a single function. Its possible graphic value is discussed by comparison, but it does not allow reading the hand as a known Olmec word.

Where it is held

The Metropolitan Museum of Art

Item or group in the record · Documented collection

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Expand this information and consult its sources

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