GILDED SILVER · LIBATION AND PRESTIGE
Patera from Perotito
A wolf among centaurs
This ritual vessel combines a wolf, serpents, hunting scenes and musician centaurs.
Museum documentation · free public access, no account required.
Reconstruction · Declared visual hypothesis
Interpretative reconstruction with AI from Luis García's photograph (Zaqarbal). CC BY-SA 3.0. Changes: black background, lighting and superficial conservative cleaning; limited gold hue. It is not an archaeological photograph nor a certified restitution. Microdetails, finish and colour are interpretative approximations.
Tracekeepers / OpenAI ImageGen; source photograph: Luis García (Zaqarbal) · National Archaeological Museum of Spain · Inventory: MAN 1917-39-1 · CC BY-SA 3.0
History and context
At the centre, a wolf's head opens its mouth over a human head, surrounded by serpents. Around it advance hunting scenes and a procession of musician centaurs. The rim and figure details were gilded to respond to light during handling.
The piece makes visible a connected Mediterranean. Its artisans and owners combined motifs with Iberian parallels and a Hellenistic repertoire without thereby becoming Greeks. Using foreign images was also a local way of building power.
Evidence and interpretation
Documented fact: material, technique, iconography and belonging to the Perotito Treasure are in the MAN catalogue. Interpretation and caution: its ritual function is well supported, but the exact meaning of the wolf, the head and the centaurs is not preserved as a written Iberian explanation.
Catalogue facts
- Narrative date
- Second half of the 2nd–beginnings of the 1st century BCE
- Location
- Perotito, Santisteban del Puerto (Jaén)
- Material
- Silver repoussé with gilding
- Context
- Prestige tableware · possible ritual use
- Classification
- Iberian collection or explicit interpretive resource
- Visual reference
- National Archaeological Museum · photograph and label of the Perotito patera
A SHARED TOPIC, DIFFERENT MOMENTS
Objects connected through time
Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.
The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.
Silver19 dated objects

ca. 2600–2400 BCE
The goat from PG 1237
Sumer
The function as support is not resolved.
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14th–13th centuries BCE
Stag Vessel
Hittites
Approximate dating according to the record.
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Final Bronze, c. 1000 BCE
Before the Iberias
Iberians
Date of the treasure, not of the preceding general period.
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5th–4th centuries BCE
Twenty-six voiceless signs
Scythians and Saka
Approximate dating according to the record.
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mainly 5th–4th centuries BCE; The set has a history of accumulation, not a single manufacturing date.
Rogozen
Thracians
Primary interval of the cumulative set, not single manufacturing date.
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4th century BCE
The silver amphora of Chertomlyk
Greek worlds
Approximate dating according to the record.
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4th century BCE
Treasure of Jávea
Iberians
Approximate dating according to the record.
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664–30 BCE
Overlapping datesThoth in the form of a baboon
Ancient Egypt
Approximate dating according to the record.
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Second half of the 4th century BCE
Poroina Mare Rhyton
Thracians
Second half of the 4th century BCE; the specific ritual is not known.
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4th century BC C.; 350–300 BCE in the ISAW catalog.
Borovo
Thracians
Explicit range from the ISAW catalog, included in the card.
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4th–3rd centuries BCE
Falcata from Almedinilla
Iberians
Approximate dating according to the record.
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Jewellery from the 4th–3rd centuries BCE; concealment at the end of the 3rd century BCE.
Treasure of Cheste
Iberians
Interval of the jewellery, not of the later concealment.
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3rd century BCE
Mairena Hoard
Iberians
Approximate dating according to the record.
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3rd–2nd centuries BCE · concealed in the early 1st century BCE
Overlapping datesChão de Lamas pectoral
Iberians
Centuries of manufacture of the piece; not a later date of concealment.
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Piece: III–II centuries BCE · concealment ≈110–76 BCE
Overlapping datesVase from Chão de Lamas
Iberians
Centuries of manufacture of the vase; not a concealment interval of the treasure.
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2nd century BCE · disputed chronology
Overlapping datesHorse fibula
Iberians
The attribution to the 2nd century BCE is disputed.
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2nd–1st centuries BCE
Overlapping datesThe dismantled cauldron
Celtic worlds
Approximate dating according to the record.
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You are viewingSecond half of the 2nd–beginnings of the 1st century BCE
Patera from Perotito
Iberians
The full 2nd–1st centuries BCE provide broad limits for chronological ordering; the record specifies the second half of the 2nd century and the early 1st.
Current record
≈25–23 BCE
Overlapping datesDenarius of Carisius
Iberians
Approximate dating according to the record.
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A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
When a ritual tableware could become a silver reserve
The National Archaeological Museum notes that part of the jewellery and ornaments from the treasure appeared fragmented and crushed. This condition has led to the proposal that the set was buried for the value of its metal, although the patera may have had a ritual function. A single piece could change meaning and use before being hidden. Its decoration was obtained by working the sheet from the reverse, using repoussé. The scenes allow the study of a funerary repertoire; the conditions of the discovery raise another distinct question: why someone decided to gather and hide that silver.
Reference images and provenance
View full-size photograph ⛶Documentary photograph without semantic retouching. Preserves the condition and visible details of the reference piece.
Documentary original · Exact correspondence
Luis García (Zaqarbal) · National Archaeological Museum of Spain · Inventory: MAN 1917-39-1
Where it is held
Museo Arqueológico Nacional (Madrid)
Item or group in the record · Permanent exhibition
Room 11 · display case 11.19.
The holding institution is documented; public display may change. Check its official record before visiting.
Sources and references
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