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CONNECTION, NOT IBERIAN PIECE · INDIGENOUS TRADITION · 2nd CENTURY BCE–1st CENTURY CE

Ceramics that continued

Conquering a city did not immediately extinguish its workshops

Some workshops continued using local techniques and decorations during Roman rule.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

Image of Ceramics that continued
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

History and context

In the valleys of the Segre and the Cinca, late painted indigenous ceramics and Roman series of indigenous tradition are documented from the last third of the 2nd century BCE well into the 1st century CE. The production chains did not disappear in a generation.

The workshops selected what to conserve and what to transform: Italian forms could coexist with local decoration, new kilns and distribution networks. Continuity does not mean immobility, but technical negotiation within another political system.

Hispanic terra sigillata does not simply derive from this tradition: its technological genealogy relates to Italian and south Gaulish models. Confusing the two series erases precisely the interaction that is of interest to explain.

Evidence and interpretation

Documented fact: productive sequences, techniques and chronologies of indigenous painted ceramics under Roman rule. Interpretation and caution: not all ceramics manufactured in Hispania are Iberian heritage nor does all continuity imply intact ethnic identity.

Catalogue facts

Narrative date
Last third of the 2nd century BCE–1st century CE
Location
Valleys of the Segre and the Cinca
Material
Wheel-thrown painted ceramics
Context
Local workshops within Roman markets
Classification
Comparative connection · must not be presented as an Iberian piece
Visual reference
Typological plates from the article by Ignasi Garcés

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Ceramics39 dated objects

35 / 39In the centre: Ceramics that continued

Also connected, without a comparable date (17)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

When the order of painting is inverted

The ceramics of Raïmat type show a technical modification not immediately visible. In numerous fragments, potters applied a coloured wash after painting the motifs, inverting the order observed in the Olriols type. Ignasi Garcés recognises this because, when the paint partially detaches, the drawing remains in negative. These final layers could be orange, reddish or pinkish and appear in nearly half of the studied Raïmat specimens. The continuity of a decorative repertoire therefore coexisted with specific changes in the manufacturing sequence.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

REGIONAL AREA

Valleys of the Segre and the CincaMediterranean fringe and southern peninsula; not all Iberia was Iberian. The footprint indicates the orientative centre of the area, not a boundary nor an exact point.

Sources and references

Expand this information and consult its provenance

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