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CARTHAGE · MID 4TH–3RD CENTURIES BCE

Punic head pendant

A glass face made to gaze out from the chest

Glass of different colours forms the eyes, beard and hair of this small head pendant.

Museum documentation · free public access, no account required.

Image 1 of 2 · Main image
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

Image 1 of 2 · Main image
Image of Punic head pendant
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction; not a photograph of the original nor documentary evidence.

History and context

Punic artisans modelled a small head with coloured glass applied hot. Suspended as a pendant, the face moved with the body and made technique, adornment and possible protection a single presence.

The modern names ‘demon’, ‘mask’ or ‘amulet’ may exceed the scope. The exact piece replaces commercial replicas that circulate without inventory.

Evidence and interpretation

Material, technique, Carthaginian chronology, dimensions and inventory are documented. Identity of the face and protective efficacy are not.

Catalogue facts

Date
Mid 4th–3rd centuries BCE
Culture
Punic · Carthage
Inventory
The Met 17.194.735
Material
Modelled and applied glass

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Glass5 dated objects

2 / 5In the centre: Punic head pendant

Also connected, without a comparable date (1)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

A face built from drops and threads

The small head of the Met retains traces of its manufacture around a rod: a hole pierces the piece and the reverse shows a vertical groove marked with a tool. On a turquoise glass body, the artisan added yellow, white and cobalt blue. The eyes were formed by superimposing colours; the ears bear white earrings and the hair shows two rows of blue curls. The beard protrudes beneath the lips. Its tiny upper ring, today damaged, completed an object intended for suspension, while the smooth back concentrated all attention on the face.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

REGIONAL AREA

Levantine cities; the routes and colonies do not equate to a state frontierLevantine cities; the routes and colonies do not equate to a state frontier. The footprint indicates the orientative centre of the area, not a frontier nor an exact point.

Where it is held

The Metropolitan Museum of Art

Item or group in the record · Documented collection

Inventory 17.194.735.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Open the Official Record of This Piece

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