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HISTORY · OPEN COLLECTION

Celtic worlds

Mining wealth and Alpine routes help explain the emergence of Hallstatt elites and centres. These are part of the archaeological background to a diverse cultural landscape later associated with Celtic peoples.

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Celtic worlds

Before you begin · Celts

Before the Celts: salt and the networks of Europe

The Celtic world is better understood by following regional exchanges and changes than by seeking a single date of birth.

  1. Bronze Age

    Working under the mountain

    Salt mining in Hallstatt requires tools, transport, and cooperation, and connects the valley with other territories.

  2. From c. 800 BCE

    The Hallstatt horizon

    Burials, metallurgy, and exchanges characterise a broad world of the early European Iron Age.

  3. From the 5th century BCE

    The La Tène horizon

    New styles and objects circulate among societies that participate in different ways in the Celtic world.

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Prehistoric origins

Before Iron Age societies, Europe was traversed by farming, herding, and artisan communities. In the Alps, the salt deposits of Hallstatt attracted specialised activity during the Bronze Age. Extracting and transporting salt required knowing the mountain, making tools, and organising work in underground spaces.

The earliest cultures

Salt, metals, and other products connected valleys and regions. From approximately 800 BCE, the name Hallstatt also designates an archaeological assemblage of the early Iron Age. Its burials and objects allow studying social differences and long-distance contacts. The exceptional conservation of the mine also returns textiles, wood, and traces of everyday work.

How this history is formed

During the 5th century BCE, the La Tène horizon develops, recognised by new artistic repertoires and object forms. The names used by Greek and Roman authors, the Celtic languages, and these archaeological assemblages provide distinct evidence. Together they help understand related societies, but with their own trajectories and political organisations.

From the past to the museum you are about to explore

In the museum, weapons, adornments, and ritual objects can be read alongside this history of work, mobility, and relations.

Interpreting these traces. Hallstatt and La Tène are archaeological categories: their distribution does not exactly equate to a map of Celtic peoples or languages.

Sources for further exploration

Celtic Worlds

≈800–500 BCE · EUROPE AND THE AEGEAN

Access to the museum brings together the atlas and the background of Celtas. Afterwards, seven areas order the historical context, culture, architecture, characters and society, treasures and equipment, beliefs and curiosities, and four historical doors to other museums. Each file preserves narrative layers, cautions, and differentiated sources.

The room combines a specific visual catalog with an audited thematic dossier. Separates facts, interpretations and cautions; the 3D volumes continue to be replaceable markers until models with provenance and license are incorporated.

Central Europe and Alpine arcs, with focus on the salt mines of Hallstatt

Mineral wealth and Alpine routes help understand the emergence of elites and Hallstatt centres, one of the archaeological roots of the cultural mosaic that later sources will associate with Celtic peoples.

Hallstatt is first an archaeological category. It does not demonstrate that every Bronze Age miner spoke a Celtic language or that a homogeneous Celtic people existed.

Read the background and its sources →

EXPLORE THE COLLECTION

The museum, section by section

Follow the museum’s curated order or go straight to a section. Every record includes its full public documentation and sources.

01 · COLLECTION

Museum Access

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Consult the maps and initial context sheets to situate this museum in time and territory; then choose the areas that interest you most.

02 · BEFORE ‘CELTIC’ · ALPINE BRONZE · 2100–800 BCE

Bronze Age wooden ladder preserved in the Hallstatt salt mines

Before the Celts

Alpine communities were already extracting salt and building wooden stairways long before sources spoke of the Celts.

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02 · COLLECTION

Origins and context

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The first stop reconstructs the area before Celtas; afterwards, places and processes allow entering its history without reducing it to a start date or an inevitable destiny.

03 · COLLECTION

Culture, music and words

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These stops distinguish instruments, ritual actions, orality or writing and visual culture. Where there is no theatre, score or certain meaning, the museum preserves the limit.

04 · COLLECTION

Architecture and places

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These architectures explain how materials, water, work and memory organized the territory without converting an elevation reconstruction into certainty.

05 · COLLECTION

People and their stories

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Known people, reconstructed voices and collective footprints. From oldest to most recent according to life, reign or scene. The periods may overlap; The voices without a determinable date close the journey.

06 · COLLECTION

Treasures and evidence

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Concrete pieces to understand materials, decisions and knowledge systems, with separate evidence and interpretation.

04 · DOCUMENTED OUTFIT · CLOSED CONTEXT OR CONTROLLED COMPARISON

Contextual image of the Vix tomb and the 1,100-litre vase for the Vix tomb assemblage

Vix Tomb

Jewellery, a wagon and tableware arriving from afar accompanied a high-status woman.

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07 · COLLECTION

Beliefs and curiosities

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These cards separate what is documented from what is interpreted and recover practices, questions and details capable of changing our image of this culture.

08 · COLLECTION

Connected cultures

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Each door explains why the link exists, when it occurred, and what limits prevent contact from being converted into shared identity.

Continue exploring

books

El bosque que otros nombraron

Discover the connected fiction project. The available Prehistory reader is in Spanish; other volumes are not presented as finished products for sale.

Explore the books →

Play through history

Try the available Prehistory browser alpha. Campaigns for the other cultures are still in development.

Open the game (Spanish) →

Visit the real places

Use each record’s institution and heritage links to continue your research. Country-by-country historical travel guides are planned, not yet published.

Historical travel →

Objects with a story

Discover artistic designs inspired by the collections and check each product’s availability. Museum access remains free.

Explore the collection →