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25–75 CE · MOULDED GLASS · PROBABLE GAUL

Gladiators Cup of Chavagnes

Names and combats moulded around a cup

It does not represent chariot races: its scenes and names belong to gladiators.

Museum documentation · free public access, no account required.

DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.

Image of Gladiators Cup of Chavagnes
DECLARED VISUAL RECONSTRUCTION · AI-GENERATED IMAGE · TRACEKEEPERS

Generated reconstruction · Declared visual hypothesis

Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.

History and context

The cup was blown or shaped in a mould with gladiator scenes and names arranged around the body. Turning it in the hand, the viewer reconstructed a sequence of combat.

Transcriptions must follow the official catalogue: secondary copies have distorted names. The vessel demonstrates spectacle culture, not that its owner attended a specific contest.

Evidence and interpretation

Glass, scenes, chronology, probable provenance and inventory are catalogued. Owner, event and outcome of the combat are unknown.

Catalogue facts

Date
25–75 CE
Production
Probable Gaul
Inventory
Corning Museum 54.1.84
Theme
Gladiators · not chariot races

A SHARED TOPIC, DIFFERENT MOMENTS

Objects connected through time

Follow a topic across the collections. A shared tag is a way to compare objects, not proof that one culture influenced another.

The order uses the midpoint of each approximate date range; ranges can overlap. Spacing does not represent elapsed time. Swipe, scroll or use the arrows. With the sequence focused, use ← / →, Home or End.

Glass5 dated objects

4 / 5In the centre: Gladiators Cup of Chavagnes

Also connected, without a comparable date (1)

These objects are not placed after the others: an unknown date does not mean a more recent object.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

A mould turned the spectacle into a series

The technical study by the Corning Museum of Glass explains that this cup was blown in a mould formed by two vertical sections. The handles were added later and the opening required separating the upper part of the glass. The procedure allowed figures and letters to be repeated without modelling them one by one on each cup. The publication proposes a production intended for a relatively broad market, not a known ancient price. Its modern experimental demonstration helps to understand the process, but it must be distinguished from a direct test of who bought or used this specimen.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

REGIONAL AREA

Etruria and formative Italy; the later Roman expansion was much greaterEtruria and formative Italy; the later Roman expansion was much greater. The footprint indicates the orientative centre of the area, not a boundary nor an exact point.

Where it is held

Corning Museum of Glass

Item or group in the record · Documented collection

Inventory 54.1.84.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Open the Official Record of This Piece

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