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11 · Chiusi · identity in Roman times

A name between two worlds

The urn of Aulus Latinius

A Latin-looking name was fixed in an Etruscan inscription on an Etruscan urn.

Museum documentation · free public access, no account required.

Image 1 of 2 · Main image
Aulus Latinius · AI-RECREATED PORTRAIT · HYPOTHETICAL APPEARANCE

Reconstruction · Declared visual hypothesis

AI-recreated portrait of Aulus Latinius. The clothing is based on the historical context of the entry; the face, the age depicted, the colouring and the details not preserved are interpretive. It is not an authentic photograph nor a scientific facial reconstruction.

Tracekeepers

Image 1 of 2 · Main image
AI-recreated portrait of Aulus Latinius, head and shoulders against a black background; hypothetical appearance.
Aulus Latinius · AI-RECREATED PORTRAIT · HYPOTHETICAL APPEARANCE

Reconstruction · Declared visual hypothesis

AI-recreated portrait of Aulus Latinius. The clothing is based on the historical context of the entry; the face, the age depicted, the colouring and the details not preserved are interpretive. It is not an authentic photograph nor a scientific facial reconstruction.

Tracekeepers

History and context

The lid shows the deceased reclining and the box preserves an inscription identifying Aulus Latinius. In the 3rd century BCE, names, languages and funerary forms circulated within an Italy increasingly dominated by Rome.

The piece prevents dividing the past into two pure colours. A Latin name does not automatically make someone Roman, nor does an Etruscan inscription prove resistance: families could negotiate citizenship, language, kinship and memory in overlapping ways.

The Metropolitan dates the urn to the 3rd century BCE and relates the mould of its frontal battle to workshops in Chiusi. The reclining figure on the lid and the inscribed name combine an Etruscan funerary mode with an onomastics participating in an expanding Latin world.

The piece allows telling integration from a material biography and not from a flag change: inscription language, name, clothing, workshop and legal status could vary at different rates within the same family.

Evidence and interpretation

Documented fact: the Metropolitan Museum dates the urn to the 3rd century BCE and records the name Aulus Latinius in its inscription. Interpretation and caution: the deceased’s ethnic affiliation, citizenship and everyday language cannot be deduced from a single funerary name. Expanded documentation: Polychrome terracotta cinerary urn of the 3rd century BCE, probably from Chiusi, inscribed for Aulus Latinius. Expanded interpretation and caution: The name alone does not fix ethnicity, citizenship or political stance; ‘Romanisation’ must describe observable processes and not a total identity.

AI-recreated portrait of Aulus Latinius. The clothing is based on the historical context of the entry; the face, the age depicted, the colouring and the details not preserved are interpretive. It is not an authentic photograph nor a scientific facial reconstruction.

Catalogue facts

Narrative date
3rd century BCE
Location
Probably Chiusi, Tuscany
Material
Polychrome terracotta
Context
Inscribed cinerary urn under Roman expansion
Curatorial reading
The documented fact and its interpretation appear separately in the evidence block.
Relief
Unidentified battle, repeated on urns associated with Chiusi workshops
Dimensions
66 cm high
Provenance
Probably Chiusi
Historical framework
Roman expansion with local funerary continuity
Documentary coverage
2 museum, heritage, primary corpus or research sources for this stop.

A closer look

About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .

A repeated image, a singular identity

The Metropolitan notes that the battle represented on this urn remains unidentified and that its composition appears on numerous urns from Chiusi. For this reason it is not advisable to read it as the account of a campaign in which the deceased participated. The inscription, however, individualises him by means of his name and that of his mother, Velsia. The combination allows distinguishing two scales of information: a visual repertoire shared by the workshops and a personal identification added to the vessel. The warrior image, by itself, does not certify a military profession.

Reference images and provenance

No verifiable entrance photograph is preserved for this representation. You may consult its documentation, but we would not present its face as an exact reconstruction.

Additional visual documentation

A cited publication does not establish which image was used to create the character.

Location and territory

Physical world map with routes of human evolutionPresent-day world coastline from Natural Earth in an equirectangular projection. The overlaid markers let you explore each milestone.Map base: Natural Earth 1:110m · public domain · present-day reference coastline

REGIONAL AREA

Probably Chiusi, TuscanyEtruria and formative Italy; the later Roman expansion was much greater. The footprint indicates the orientative centre of the area, not a boundary nor an exact point.

Where it is held

The Metropolitan Museum of Art

Item or group in the record · On display

Cinerary urn of Aulus Latinius; the Met’s entry documents its gallery.

The holding institution is documented; public display may change. Check its official record before visiting.

Sources and references

Expand this information and consult its sources

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