LIVING AND DOCUMENTED CULTURE · 04
The Mould Before the Monster
Artisans used piece moulds to cast bronze vessels with complex reliefs.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction, created for museographic contextualisation; not a photograph of the original nor does it constitute documentary evidence.
History and context
The taotie is a useful modern label; its Shang name and meaning are not preserved.
Evidence and interpretation
Synthesis based on UNESCO · Yin Xu; National Museum of China · Longshan; The Met · Oracle bone. The comparison serves to formulate questions, not to fill gaps in the record with certainties.
Catalogue facts
- Civilisation or trajectory
- Central Plain: Erlitou, Shang and Zhou
- Scope
- Visual and Material Arts
- Main area
- The Yellow River basin and the Central Plain, from Erlitou to the Shang centres.
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A work could unite stone, metal and inlay
Ceremonial jade weapons with bronze mountings show that decoration did not end when the mould was opened. The Smithsonian catalogue studies composite pieces and channels prepared to receive turquoise inlays once the metal was cast. The final surface thus brought together work requiring different skills: stone carving and polishing, casting and the setting of small inlays. Considering only the weapon's silhouette obscures this material collaboration. The result belonged to the realm of ceremonial representation and should not automatically be understood as an ordinary combat tool.
Location and territory
REGIONAL AREA
Central Plains and Huang He basin, with shifting extentsCentral Plain and Yellow River basin, with fluctuating extents. The footprint indicates the indicative centre of the area, not a border or exact point.Sources and references
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