LIVING AND DOCUMENTED CULTURE · 02
The ‘Dancing Girl’ and the danger of a name
The celebrated figure from Mohenjo-daro received a modern nickname by its posture.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction; not a photograph of the original nor documentary evidence.
History and context
It is an extraordinary human image, not a frozen film of a dance nor a proof of theatre.
Evidence and interpretation
Synthesis based on UNESCO · Mohenjo-daro; UNESCO · Dholavira; National Museum India · Dancing Girl. The comparison serves to formulate questions, not to fill gaps in the record with certainties.
Catalogue facts
- Civilisation or trajectory
- Indus / Harappa
- Scope
- Dance, rite and representation
- Main area
- Harappa, Mohenjo-daro, Dholavira and an extensive network between Punjab, Sindh, Baluchistan and Gujarat.
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A cast body and chosen ornaments
The National Museum of New Delhi describes the figurine as a lost-wax casting and highlights the hair gathered in a low bun, the flexed leg and the necklace of three large pendants. The technique allowed transferring to metal a model with narrow limbs separated from the torso. These traits expand what can be studied without resolving the nickname of 'Dancer': modelling decisions, presentation of the body and selection of ornaments. The posture is a composition of the sculptor whose meaning remains open.
Location and territory
REGIONAL AREA
Punjab, Sindh, Balochistan and Gujarat within an urban networkPunjab, Sindh, Balochistan and Gujarat within an urban network. The footprint marks the indicative center of the area, not a border or an exact point.Sources and references
Did you enjoy this exhibit?
Your opinion helps us improve the museum. You can change it whenever you like.
Loading your rating…