LIVING AND DOCUMENTED CULTURE · 01
Music written as instruction
The tablets indicate when singers and musicians intervened in ceremonies, but do not preserve the melodies.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction; not a photograph of the original nor documentary evidence.
History and context
They describe who performed and when; they do not preserve the melody with a notation we can reproduce.
Evidence and interpretation
Synthesis based on UNESCO · Hattusha; UNESCO Memory of the World · Hittite tablets; DAI · The Great Temple. The comparison serves to formulate questions, not to fill gaps in the record with certainties.
Catalogue facts
- Civilisation or trajectory
- Hittite
- Scope
- Music and sound
- Main area
- Hattusa and the central Anatolian plateau.
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A musician reappeared when fragments were joined
A fragment discovered in Hüseyindede in 2000 allowed completing the image of a musician in the upper frieze of a vase of early Hittite tradition. Tayfun Yıldırım compares it with performers represented on ceramics from İnandıktepe, Boğazköy, Eskiyapar and Alişar. The instrument belongs to the domain of lute-type chordophones. This series provides information on posture and manner of holding it that the ritual instructions do not describe. The image enlarges knowledge of performance, although it does not preserve tuning, rhythm or sound repertoire.
Location and territory
REGIONAL AREA
Central Anatolia and, in imperial phases, northern SyriaCentral Anatolia and, in imperial phases, northern Syria. The footprint marks the indicative center of the area, not a border or an exact point.Sources and references
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