LIVING AND DOCUMENTED CULTURE · 04
Objects with several visual homelands
Artisans combined Egyptian, Levantine and Mediterranean motifs in ivories, metals, glass and amulets.
Museum documentation · free public access, no account required.
Generated reconstruction · Declared visual hypothesis
Declared visual reconstruction; not a photograph of the original nor documentary evidence.
History and context
The hybrid style is evidence of agency and market, not lack of identity.
Evidence and interpretation
Synthesis based on UNESCO · Byblos; UNESCO · Tyre; The Met · Phoenicians. The comparison serves to formulate questions, not to fill gaps in the record with certainties.
Catalogue facts
- Civilisation or trajectory
- Phoenicia
- Scope
- Visual and Material Arts
- Main area
- Tyre, Sidon, Byblos, and other cities on the Levantine coast, especially in present-day Lebanon.
A closer look
About 1 min to read · 1 section. Further reading and sources · free access. Editorial review recorded: .
A luxury surface preserves the workshop's decisions
The examination of the Met's silver bowl 74.51.4557 reconstructed a precise sequence: forming the sheet by hammer, marking the decoration lines and then raising the motifs by repoussé. The metal hardened by the blows required reheating to recover its deformability. Elizabeth Hendrix emphasised that these techniques alone do not allow deciding whether the artisan was Cypriot or Phoenician. Here the interest lies in the observable operations: a light-looking cup depended on controlling heat, thickness and tools, knowledge that could circulate alongside the silver.
Location and territory
REGIONAL AREA
Levantine cities; the routes and colonies do not equate to a state frontierLevantine cities; the routes and colonies do not equate to a state frontier. The footprint indicates the orientative centre of the area, not a frontier nor an exact point.Sources and references
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